King Lear provides a basis for "the primary enactment of psychic breakdown in English literary history". The play begins with Lear's "near-fairytale narcissism". Given the absence of legitimate mothers in King Lear, Coppélia Kahn provides a psychoanalytic interpretation of the "maternal subtext" found in the play. According to Kahn, Lear's old ...
Cordelia is a fictional character in William Shakespeare's...
- Leir of Britain
Leir was a legendary king of the Britons whose story was...
Regan is a fictional character in William Shakespeare's...
King Lear is a tragedy written by William Shakespeare. He based it on an old British story about a king named Leir or Lyr. The play might have been first performed in December 1606. It was first printed in 1608. It was printed again in 1623 in the First Folio. This is a collection of all of Shakespeare's plays.
- Plays, Arden of Faversham, The Birth of Merlin, Cardenio*, Double Falsehood, Edmund Ironside, Fair Em, Locrine, The London Prodigal, Love's Labour's Won, The Merry Devil of Edmonton, Mucedorus, The Puritan, The Second Maiden's Tragedy, Sejanus His Fall, Sir John Oldcastle, Sir Thomas More*, The Spanish Tragedy, Thomas Lord Cromwell, Thomas of Woodstock, Vortigern and Rowena, A Yorkshire Tragedy, Poems, The Passionate Pilgrim, To the Queen
- Birthplace, Bibliography, Complete Works of William Shakespeare, Translations, Early editions, Editors, English Renaissance theatre, Globe Theatre, Handwriting, Lord Chamberlain's Men/King's Men, The Theatre, Curtain Theatre, New Place, Portraits, Religious views, Sexuality, Spelling of his name, Stratford-upon-Avon, Style, Will, Grave
- Attribution studies, Authorship question, Bardolatry, Festivals, Gardens, Influence, Memorials, Screen adaptations, Titles of works taken from Shakespeare, Institutions, Folger Shakespeare Library, Shakespeare Quarterly, Royal Shakespeare Company, Royal Shakespeare Theatre, Shakespeare Birthplace Trust, Shakespeare's Globe (replica)
- Shakespeare's sonnets, comparison to Petrarch, A Lover's Complaint, The Phoenix and the Turtle, The Rape of Lucrece, Venus and Adonis
King Lear is a 2008 television film based on the William Shakespeare play of the same name, directed by Trevor Nunn.It was broadcast on More4 in the UK on Christmas Day, and shown on PBS' Great Performances in the United States in March 2009.
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King Lear is a 1987 film directed by Jean-Luc Godard, an adaptation of William Shakespeare's play in the style of experimental French New Wave cinema. The script was primarily by Peter Sellars and Tom Luddy, and was originally assigned to Norman Mailer.
King Lear Film poster Directed byPeter Brook Produced byMichael Birkett Mogens Skot-Hansen Written byPeter Brook William Shakespeare StarringPaul Scofield CinematographyHenning Kristiansen Edited byKasper Schyberg Production company Filmways Royal Shakespeare Company Distributed byColumbia Pictures Release date 4 February 1971 Running time 137 minutes CountryUnited Kingdom LanguageEnglish King Lear is a 1971 British film adaptation of the Shakespeare play directed by Peter Brook and starring Pau
Peter Brook’s version of King Lear was prompted by an essay by Polish critic Jan Kott titled “King Lear or Endgame”, where Katt writes that Shakespeare's play is a tragedy of the grotesque, “an ironic, clownish morality play, a mockery of all eschatologies: of the heaven promised on earth, and the heaven promised after death.” The film was shot in 16mm black-and-white and mostly made in the mid-winter dune country of the Jutland Peninsula of Denmark.
Brook's film starkly divided the critics: Pauline Kael said "I didn't just dislike this production, I hated it!" and suggested the alternative title "Night of the Living Dead". Yet Robert Hatch in The Nation thought it as "excellent a filming of the play as one can expect" and Vincent Canby in The New York Times called it "an exalting Lear, full of exquisite terror". The film drew heavily on the ideas of Jan Kott, in particular his observation that King Lear was the precursor of absurdist theatr
King Lear is a 1953 live television adaptation of the Shakespeare play staged by Peter Brook and starring Orson Welles. Preserved on kinescope, it aired October 18, 1953, as part of the CBS television series Omnibus, hosted by Alistair Cooke.
- Comparison with Shakespeare
- Background and history
- Critical reception
- Tate's Lear in the 20th and 21st centuries
The History of King Lear is an adaptation by Nahum Tate of William Shakespeare's King Lear. It first appeared in 1681, some seventy-five years after Shakespeare's version, and is believed to have replaced Shakespeare's version on the English stage in whole or in part until 1838. Unlike Shakespeare's tragedy, Tate's play has a happy ending, with Lear regaining his throne, Cordelia marrying Edgar, and Edgar joyfully declaring that "truth and virtue shall at last succeed." Regarded as a tragicomedy
In Shakespeare's version, Lear, King of Britain, is growing old, and decides to divide his kingdom among his three daughters – Goneril, wife of the Duke of Albany, Regan, wife of the Duke of Cornwall, and the youngest daughter, Cordelia, sought in marriage by the Duke of ...
Tate's version omits the King of France, and adds a romance between Cordelia and Edgar, who never address each other in Shakespeare's original. Cordelia explains in an aside that her motive for remaining silent when Lear demands public expressions of love is that he leave her wit
The earliest known performance of Shakespeare's King Lear is one which took place at the court of King James I on 26 December 1606. Some scholars believe that it was not well received, as there are few surviving references to it. The theatres were closed during the Puritan Revolution, and while records from the period are incomplete, Shakespeare's Lear is only known to have been performed twice more, after the Restoration, before being replaced by Tate's version. Tate's radical adaptation ...
While Tate's version proved extremely popular on the stage, the response of literary critics has generally been negative. An early example of approval from a critic is found in Charles Gildon's "Remarks on the Plays of Shakespeare" in 1710: The King and Cordelia ought by no means to have dy'd, and therefore Mr Tate has very justly alter'd that particular, which must disgust the Reader and Audience to have Vertue and Piety meet so unjust a Reward.... We rejoice at the deaths of the Bastard and th
Nahum Tate's The History of King Lear was successfully remounted in New York, at The Shakespeare Center on Mahattan's Upper West Side, staged by the Riverside Shakespeare Company in 1985. For this production, conventions of the mid-17th-century English theatre, when Tate's Lear was popular, were used in the staging, such as raked stage covered with green felt, footlights used for illumination on an apron stage, and period costumes drawn from the era of David Garrick. Musical interludes were sung