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  1. Mark Eugene Gruenwald ( / ˈɡruːnwɔːld /; [3] June 18, 1953 – August 12, 1996) was an American comic book writer, editor, and occasional penciler known for his long association with Marvel Comics . Biography. Early career. Gruenwald got his start in comics fandom, publishing his own fanzine, Omniverse, which explored the concept of continuity.

  2. Mark Gruenwald was a writer and editor at Marvel Comics. In fact, regarded by many readers and creators as the finest editor Marvel ever saw. Gruenwald was known for his encyclopaedic knowledge...

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  4. The Time Variance Authority (TVA) first appeared in Thor #372 (October 1986). [1] Created by Walt Simonson and Sal Buscema, the TVA originally paid homage to long-time Marvel writer/editor and continuity expert Mark Gruenwald: the TVA staff were all visually designed as clones of Gruenwald (the classification system for alternate realities ...

    • Thor #372 (October 1986)
  5. Jun 10, 2016 · He was a writer and editor, and even served as Executive Editor and Editor in Chief of the Avengers and cosmic lines. He had an influential ten-year stint as the writer of "Captain America" and also wrote "Squadron Supreme" and "Quasar." Gruenwald, who would have turned 63 on June 18, passed away in 1996 after suffering a heart attack, the ...

  6. Mark Gruenwald was a writer and editor for Marvel Comics, the comic book company that produced official adaptations of the adventures of various super-heroes that lived in New York City during the Modern Age of Heroes. In his first recorded appearance he accompanied staffers George Perez and Ralph Macchio to an art showing in SoHo that featured ...

  7. In 1985 Mark Gruenwald started a critically acclaimed 10-year run as the writer of Captain America. That same year he also began the miniseries Squadron Supreme (1985–86), a deconstructionist take on superheroes that preceded Alan Moore’s graphic novel Watchmen , published by DC Comics.

  8. A native of Oshkosh, Wisconsin, Mark Gruenwald found his path into the professional world of comics in the same way as many of his generation: as a fan. With his own fanzine creation Omniverse and work on DC Comics’ in-house fanzine under his belt in the 1970’s, the young man approached Marvel seeking employment and won a spot as an ...

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