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  1. Richard Widmark - Wikipedia › wiki › Richard_Widmark

    Richard Weedt Widmark (December 26, 1914 – March 24, 2008) was an American film, stage, and television actor and producer. He was nominated for an Academy Award for his role as the villainous Tommy Udo in his debut film, Kiss of Death (1947), for which he also won the Golden Globe Award for Most Promising Newcomer.

    • Early life

      Widmark was born December 26, 1914 in Sunrise Township,...

    • Radio

      Widmark made his debut as a radio actor in 1938 on Aunt...

    • Broadway

      Widmark appeared on Broadway in 1943 in F. Hugh Herbert's...

    • Films

      Widmark's first movie appearance was in Kiss of Death, as...

    • Television

      Widmark was a mystery guest on the CBS quiz show What's My...

    • Jean Hazlewood

      Ora Jean Hazlewood (August 4, 1916 – March 2, 1997) was an...

  2. Richard Widmark — Wikipedia Republished // WIKI 2 › en › Richard_Widmark
    • Early Life
    • Radio
    • Broadway
    • Films
    • Television
    • Personal Life
    • Death
    • Filmography
    • External Links

    Wid­mark was born De­cem­ber 26, 1914, in Sun­rise Town­ship, Min­nesota, the son of Ethel Mae (née Barr) and Carl Henry Widmark. His fa­ther was of Swedish de­scent, and his mother was of Eng­lish and Scot­tish an­ces­try. Wid­mark grew up in Prince­ton, Illi­nois, and also lived in Henry, Illi­nois, for a short time, mov­ing fre­quently be­cause of his fa­ther's work as a trav­el­ing salesman. He at­tended Lake For­est Col­lege, where he stud­ied act­ing and also taught act­ing after he grad­u­ated with a Bach­e­lor of Arts de­gree in speechin 1936.

    Wid­mark made his debut as a radio actor in 1938 on Aunt Jenny's Real Life Sto­ries. In 1941 and 1942, he was heard daily on the Mu­tual Broad­cast­ing Sys­tem in the title role of the day­time se­r­ial Front Page Far­rell, in­tro­duced each af­ter­noon as "the ex­cit­ing, un­for­get­table radio drama... the story of a crack news­pa­per­man and his wife, the story of David and Sally Far­rell." Far­rell was a top re­porter for the Brook­lyn Eagle. When the se­ries moved to NBC, Wid­mark turned the role over to Car­leton G. Young and Staats Cotsworth. Dur­ing the 1940s, Wid­mark was also heard on such net­work radio pro­grams as Gang Busters, The Shadow, Inner Sanc­tum Mys­ter­ies, Joyce Jor­dan, M.D., Molle Mys­tery Theater, Sus­pense, and Ethel and Al­bert. In 1952, he por­trayed Cincin­na­tus Shry­ock in an episode of Cav­al­cade of America ti­tled "Ad­ven­ture on the Kentucky". He re­turned to radio drama decades later, per­form­ing on CBS Radio Mys­tery The­ater (1974–82), and wa...

    Wid­mark ap­peared on Broad­way in 1943 in F. Hugh Her­bert's Kiss and Tell. He was un­able to join the mil­i­tary dur­ing World War II be­cause of a per­fo­rated eardrum. He was in Chicago ap­pear­ing in a stage pro­duc­tion of Dream Girl with June Havoc when 20th Cen­tury Foxsigned him to a seven-year contract.

    Kiss of Death

    Wid­mark's first movie ap­pear­ance was in Kiss of Death (1947), as the gig­gling, so­cio­pathic vil­lain Tommy Udo. In his most no­to­ri­ous scene, Udo pushed a wheel­chair-bound woman (played by Mil­dred Dun­nock) down a flight of stairs to her death. Wid­mark was al­most not cast. He said, "The di­rec­tor, Henry Hath­away, didn't want me. I have a high fore­head; he thought I looked too in­tel­lec­tual." Hath­away was over­ruled by stu­dio boss Dar­ryl F. Zanuck. "Hath­away gave me kind of...

    Heroic Roles

    Wid­mark shifted to heroic roles with Down to the Sea in Ships (1949) and Slat­tery's Hur­ri­cane (1949). He was an anti-hero co-star­ring with Gene Tier­ney and Goo­gie With­ers in Jules Dassin's Night and the City (1949). He was a hero in Panic in the Streets (1950), di­rected by Elia Kazan. Around the same time, Wid­mark re­turned to vil­lainy, star­ring with Sid­ney Poitier in the grip­ping racial melo­drama No Way Out(also 1950). Wid­mark went back to being heroic in some war films, Hall...


    Wid­mark made a thriller in Eu­rope, A Prize of Gold (1955) then went to MGM for Vin­cente Min­nelli's film The Cob­web (1955) with Lau­ren Ba­call. He did some ac­tion films: Back­lash (1956) with John Sturges; Run for the Sun (1956); The Last Wagon (1956) with Delmer Daves. Wid­mark had a change of pace with Saint Joan(1957).

    Wid­mark was a guest on What's My Line? in 1954. The fol­low­ing year, he made a rare foray into com­edy on I Love Lucy, por­tray­ing him­self when a starstruck Lucy tres­passes onto his prop­erty to steal a sou­venir. Wid­mark finds Lucy sprawled out on his liv­ing room floor un­der­neath a bearskin rug. Re­turn­ing to tele­vi­sion in the early 1970s, Wid­mark re­ceived an Emmy nom­i­na­tion for his per­for­mance as Paul Roude­bush, the Pres­i­dent of the United States, in the TV movie Van­ished! (1971), a Fletcher Knebel po­lit­i­cal thriller. In 1972–73, he reprised his de­tec­tive role from Don Siegel's Madi­gan (1968) with six 90-minute episodes on the NBC Wednes­day Mys­tery Movie. The next year, he par­tic­i­pated in a minis­eries about Ben­jamin Franklin, trans­mit­ted in 1974, which was a unique ex­per­i­ment of four 90-minute dra­mas, each with a dif­fer­ent actor im­per­son­at­ing Franklin: Wid­mark, Beau Bridges, Eddie Al­bert, Melvyn Dou­glas, and por­tray­ing Franklin...

    Wid­mark was mar­ried to screen­writer Jean Ha­zle­wood from 1942 until her death in 1997. They had a daugh­ter, Anne Heath Wid­mark, an artist and au­thor who was mar­ried to base­ball player Sandy Ko­ufax from 1969 to 1982. In 1999, Wid­mark mar­ried Susan Blan­chard, the daugh­ter of Dorothy Ham­mer­stein and step­daugh­ter of Oscar Ham­mer­stein II; she had been Henry Fonda's third wife. Green City, Mis­souri, is the site of Wid­mark Air­port (FAA LID: MO83) in north­east­ern Mis­souri. Towns the size of Green City, whose pop­u­la­tion num­bered only 688 in­hab­i­tants in 2000, usu­ally do not have air­ports, but Wid­mark owned a cat­tle ranch in the area dur­ing the 1950s and 1960s. Wid­mark con­tributed funds to the con­struc­tion of an air­port, which led to its being named in his honor. De­spite hav­ing spent a sub­stan­tial part of his ca­reer ap­pear­ing in gun-tot­ing roles such as cow­boys, po­lice­men, gang­sters, and mil­i­tary men, Wid­mark dis­liked firearms and was...

    Re­tir­ing in 2001, Wid­mark died after a long ill­ness on March 24, 2008, at his home in Rox­bury, Con­necti­cut, at the age of 93. Wid­mark's fail­ing health in his final years was ag­gra­vated by a fall he suf­fered in 2007. At the 2009 Acad­emy Awards, he was hon­ored in the Memo­r­ial Trib­ute. His body was buried at Rox­bury Cen­ter Ceme­tery.

    Short films: 1. Screen Snapshots: Hopalong in Hoppy Land(1951) 2. Screen Snapshots: Hollywood Night Life(1952) 3. 1955 Motion Picture Theatre Celebration(1955) 4. Shooting the Moonshine War(1970)

    Richard Widmark on IMDb
    Richard Widmark at AllMovie
    Richard Widmark at the TCM Movie Database
    Richard Widmark at the Internet Broadway Database
  3. Richard Widmark - Simple English Wikipedia, the free encyclopedia › wiki › Richard_Widmark

    From Wikipedia, the free encyclopedia Richard Widmark (December 26, 1914 – March 24, 2008) was an American actor of movies, stage, radio and television. He is best known for his role as Tommy Udo in his first movie, Kiss of Death. Characters played by Widmark were often tough.

  4. Richard Widmark - Biography - IMDb › name › nm0001847
    • Legacy
    • Early years
    • Acting career
    • Film
    • Later career
    • Television
    • Assessment

    Richard Widmark established himself as an icon of American cinema with his debut in the 1947 film noir Kiss of Death (1947) in which he won a Best Supporting Actor Academy Award nomination as the killer \\"Tommy Udo\\". Kiss of Death (1947) and other noir thrillers established Widmark as part of a new generation of American movie actors who became stars in the post-World War II era. With fellow post-War stars Kirk Douglas and Robert Mitchum, Widmark brought a new kind of character to the screen in his character leads and supporting parts: a hardboiled type who does not actively court the sympathy of the audience. Widmark was not afraid to play deeply troubled, deeply conflicted, or just down right deeply corrupt characters.

    Richard Weedt Widmark was born in Sunrise Township, Minnesota, to Ethel Mae (Barr) and Carl Henry Widmark. His father was of Swedish descent and his mother of English and Scottish ancestry. He has said that he loved the movies from his boyhood, claiming \\"I've been a movie bug since I was 4. My grandmother used to take me\\". The teen-aged Widmark continued to go to the movies, and was thrilled by Dracula (1931) and Frankenstein (1931). \\"I thought Boris Karloff was great\\", Widmark said. Although he loved the movies and excelled at public speaking while attending high school, Widmark attended Lake Forest College with the idea of becoming a lawyer. However, he won the lead role in a college production of, fittingly enough, the play \\"Consellor-at-Law\\", and the acting bug bit deep. After taking his bachelor of arts degree in 1936, he stayed on at Lake Forest as the Assistant Director of Speech and Drama. However, he soon quit the job and moved to New York to become an actor and, by 1938, he was appearing on radio in \\"Aunt Jenny's Real Life Stories\\". He made his Broadway debut in 1943 in the play \\"Kiss and Tell\\", and continued to appear on stage in roles that were light years away from the tough cookies he would play in his early movies.

    After World War II, he was signed by 20th Century Fox to a seven-year contract. After seeing his screen-test for the role of \\"Tommy Udo\\", 20th Century Fox boss Darryl F. Zanuck insisted that the slight, blonde Widmark - no one's idea of a heavy, particularly after his stage work - be cast as the psychopath in Kiss of Death (1947), which had been prepared as a Victor Mature vehicle. Even though the role was small, Widmark stole the picture. 20th Century Fox's publicity department recommended that exhibitors market the film by concentrating on thumbing the tub for their new anti-hero. \\"Sell Richard Widmark\\" advised the studio's publicity manual that an alert 20th Century Fox sent to theater owners. The manual told local exhibitors to engage a job-printer to have \\"Wanted\\" posters featuring Widmark's face to be printed and pasted up. He won a Golden Globe and an Oscar nod for the part, which lead to an early bout with typecasting at the studio. Widmark played psychotics in The Street with No Name (1948) and Road House (1948), and held his own against new Fox superstar Gregory Peck in the William A. Wellman's Western, Yellow Sky (1948), playing the villain, of course. When he finally pressured the studio to let him play other parts, his appearance as a sailor in Down to the Sea in Ships (1949) made headlines: \\"Life\\" magazine's March 28, 1949 issue featured a three-page spread of the movie, headlined, \\"Widmark the Movie Villain Goes Straight\\". He was popular, having captured the public imagination, and before the decade was out, his hand and footprints were immortalized in concrete in the court outside Grauman's Chinese Theatre in Hollywood.

    The great director Elia Kazan cast Widmark in his thriller Panic in the Streets (1950) not as the heavy - that role went to Jack Palance - but as the physician who tracks down Palance, who has the plague, in tandem with detective Paul Douglas. Widmark was establishing himself as a real presence in the genre that later would be hailed as \\"film noir\\". Having proved he could handle other roles, Widmark didn't shy away from playing heavies in quality pictures. The soon-to-be-blacklisted director Jules Dassin cast him in one of his greatest roles, as the penny-ante hustler \\"Harry Fabian\\" in Night and the City (1950). Set in London, Widmark's Fabian manages to survive in the jungle of the English demimonde, but is doomed. Widmark was masterful in conveying the desperation of the criminal seeking to control his own fate but who is damned, and this performance also became an icon of film noir. In that same year, he appeared in Oscar-winning writer-director Joseph L. Mankiewicz's No Way Out (1950) as a bigot who instigates a race riot.

    As the 1950s progressed, Widmark played in Westerns, military vehicles, and his old stand-by genre, the thriller. He appeared with Marilyn Monroe (this time cast as the psycho) in Don't Bother to Knock (1952) and made Pickup on South Street (1953) that same year for director Samuel Fuller. His seven-year contract at Fox was expiring, and Zanuck - who would not renew the deal - cast him in the Western Broken Lance (1954) in a decidedly supporting role, billed beneath not only Spencer Tracy but even Robert Wagner and Jean Peters. The film was well-respected, and it won an Oscar nomination for best screenplay for the front of Hollywood 10 blacklistee Albert Maltz. Widmark left Fox for the life of a freelance, forming his own company, \\"Heath Productions\\". He appeared in more Westerns, adventures and social dramas, and pushed himself as an actor by taking the thankless role of \\"The Dauphin\\" in Otto Preminger's adaptation of George Bernard Shaw's Saint Joan (1957), a notorious flop that didn't bring anyone any honors, neither Preminger, his leading lady Jean Seberg or Widmark. In 1960, he was appearing in another notorious production, John Wayne's ode to suicidal patriotism, The Alamo (1960), with the personally liberal Widmark playing \\"Jim Bowie\\" in support of the very-conservative Wayne's \\"Davy Crockett\\". Along with character actor Chill Wills, Widmark arguably was the best thing in the movie. In 1961, Widmark acquitted himself quite well as the prosecutor in producer-director Stanley Kramer's Judgment at Nuremberg (1961), appearing with the Oscar-nominated Spencer Tracy and the Oscar-winning Maximilian Schell, as well as with superstar Burt Lancaster and acting genius Montgomery Clift and the legendary 'Judy Garland' (the latter two winning Oscar nods for their small roles). Despite being showcased with all this thespian-firepower, Widmark's character proved to be the axis on which the drama turned. A little later, Widmark appeared in two Westerns directed by the great John Ford, with co-star James Stewart in Two Rode Together (1961) and as the top star in Ford's apologia for Indian genocide, Cheyenne Autumn (1964). On Two Rode Together (1961), Ford feuded with Jimmy Stewart over his hat. Stewart insisted on wearing the same hat he had for a decade of highly successful Westerns that had made him one of the top box office stars of the 1950s. Both he and Widmark were hard-of-hearing (as well as balding and in need of help from the makeup department's wig-makers), so Ford would sit himself far away from them while directing scenes and then give them directions in a barely audible voice. When neither one of the stars could hear their director, Ford theatrically announced to his crew, that after over 40 years in the business, he was reduced to directing two deaf toupees. It was testimony to the stature of both Stewart and Widmark as stars that this was as far as Ford's baiting went, as the great director could be extraordinarily cruel. Widmark continued to co-star in A-pictures through the 1960s. He capped off the decade with one of his finest performances, as the amoral police detective in Don Siegel's gritty cop melodrama Madigan (1968). Watching \\"Madigan\\", one can see Widmark's characters as a progression in the evolution of what would become the late 1960s nihilistic anti-hero, such as those embodied by Clint Eastwood in Siegel's later Dirty Harry (1971). Im the 1970s, he continued to make his mark in movies and, beginning in 1971, in television. In movies, he appeared primarily in supporting roles, albeit in highly billed fashion, in such films as Sidney Lumet's Murder on the Orient Express (1974), Robert Aldrich's Twilight's Last Gleaming (1977), and Stanley Kramer's The Domino Principle (1977). He even came back as a heavy, playing the villainous doctor in Coma (1978).

    In 1971, in search of better roles, he turned to television, starring as the President of the U.S. in the TV movies Vanished (1971). His performance in the role brought Widmark an Emmy nomination. He resurrected the character of \\"Madigan\\" for NBC, in six 90-minute episodes that appeared as part of the rotation of \\"NBC Wednesday Mystery Movie\\" for the Fall 1972 season. Widmark was married for 55 years to playwright Jean Hazlewood, from 1942 until her death in 1997 (they had one child, Anne, who was born in 1945). He lived quietly and avoided the press, saying in 1971, \\"I think a performer should do his work and then shut up\\". \\"Los Angeles Times\\" critic Kevin Thomas thought that Widmark should have won an Oscar nomination for his turn in When the Legends Die (1972), playing a former rodeo star tutoring 'Frederic Forrest'.

    It is surprising to think that Kiss of Death (1947) represented his sole Oscar nomination, but with the rise of the respect for film noir around the time his career began tapering off in 70s, he began to be reevaluated as an actor. Unlike Bogart, who did not live to see his reputation flourish after his death, well before he retired, Widmark became a cult figure.

  5. Richard Widmark - Wikipedia › wiki › Richard_Widmark

    Richard Widmark Richard Widmark (26. decembar 1914 – 24. mart 2008) bio je američki kazališni, radio, filmski i televizijski glumac. Već etabliran na radiju i pozornici, duboko je impresionirao Hollywood svojim filmskim debijem kao psihopatski gangster Tommy Udo u film noiru Kiss of Death.

  6. Richard Widmark - Wikipedia, den frie encyklopædi › wiki › Richard_Widmark

    Richard Widmark (født 26. december 1914, død 24. marts 2008) var en amerikansk skuespiller, der brød igennem med en Oscar -nomineret præstation som den ondskabsfuldt leende gangster i filmen Kiss of Death (1947), og siden har spillet hovedroller i en lang række film, samt i sin egen tv-serie, Madigan (1972).

  7. Richard Widmark – Wikipedia › wiki › Richard_Widmark

    De Richard Widmark (1991) De Richard Widmark, gebuer de 26. Dezember 1914 zu Sunrise, Minnesotaa gestuerwen de 24. Mäerz 2008 zu Roxbury, Connecticut, war en US-amerikanesche Schauspiller.

  8. Cheyenne Autumn - Wikipedia › wiki › Cheyenne_Autumn

    From Wikipedia, the free encyclopedia Cheyenne Autumn is a 1964 American epic Western film starring Richard Widmark, Carroll Baker, James Stewart, and Edward G. Robinson. It tells the story of a factual event, the Northern Cheyenne Exodus of 1878–79, told in "Hollywood style" using a great deal of artistic license.

  9. Richard Widmark - Wikipedia bahasa Indonesia, ensiklopedia bebas › wiki › Richard_Widmark

    Richard Widmark (Sunrise, Minnesota, 26 Desember 1914 – Roxbury, Connecticut, 24 Maret 2008) adalah seorang aktor berkebangsaan Amerika Serikat. Ia masuk unggulan Aktor Terbaik Academy Award untuk perannya sebagai Tommy Udo dalam film Kiss of Death (1947). Dia berkarier di dunia film sejak tahun 1947.

  10. Richard Widmark – Wikipedia › wiki › Richard_Widmark

    Richard Widmark Richard Widmark, född 26 december 1914 i Sunrise Township, Chisago County, Minnesota, död 24 mars 2008 i Roxbury, Connecticut, var en amerikansk skådespelare. Widmark fick sitt stora genombrott som den fnittrande gangstern Tommy Udo i Angivaren 1947 - för denna roll fick han en Oscarsnominering som bästa manliga biroll.