In 1983, Yamaha released the first commercially successful digital synthesizer, the Yamaha DX7. Based on frequency modulation synthesis developed by Stanford University engineer John Chowning, the DX7 remains one of the bestselling synthesizers in history and was the first synthesizer to sell over 100,000 units.
Keyboard bass (shortened to key bass and sometimes referred as a synth-bass) is the use of a smaller, low-pitched keyboard with fewer notes than a regular keyboard or pedal keyboard to substitute for the deep notes of a bass guitar or double bass in music.
Overview. Today's guitar synths are direct descendants of 1970s devices from manufacturers (often in partnership) such as Hammond Innovex and Ovation, EMS, Roland Corporation and FujiGen (GR-500 and GR-300), Ludwig, Norlin Music and Maestro, 360 Systems, Ampeg and Hagström, Arp, Electro-Harmonix, Casio, New England Digital, Terratec/Axon, Starr Labs, Ibanez, Holt Electro Acoustic Research ...
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Some funk bass players use electronic effects units to alter the tone of their instrument, such as "envelope filters" (an auto-wah effect that creates a "gooey, slurpy, quacky, and syrupy" sound) and imitate keyboard synthesizer bass tones (e.g., the Mutron envelope filter) and overdriven fuzz bass effects, which are used to create the "classic ...
- Disco, hip hop, post-punk, dance-punk, boogie, contemporary R&B, electro, P-Funk, house, breakbeat, new jack swing, oldschool jungle, neurofunk, liquid funk, krautrock, funkstep
- Bass guitar, electric guitar, drums, bass synthesizer, drum machine, keyboards (piano, electric piano, Hammond organ, clavinet, synthesizer), horns, conga
The bass synthesizer (or "bass synth") is used to create sounds in the bass range, from simulations of theelectric bass or double bass to distorted, buzz-saw-like artificial bass sounds, by generating and combining signals of different frequencies. Bass synth patches may incorporate a range of sounds and tones, including wavetable-style, analog ...
Synth-pop was defined by its primary use of synthesizers, drum machines and sequencers, sometimes using them to replace all other instruments.Borthwick and Moy have described the genre as diverse but "...characterised by a broad set of values that eschewed rock playing styles, rhythms and structures", which were replaced by "synthetic textures" and "robotic rigidity", often defined by the ...
According to musician Perturbator (James Kent), outrun is also its own subgenre, mainly instrumental, and often contains 1980s clichéd elements in the sound such as electronic drums, gated reverb, and analog synthesizer bass lines and leads - all to resemble tracks from that time period.
Rush was a Canadian rock band consisting of Geddy Lee (bass, vocals, keyboards), Alex Lifeson (guitars), and Neil Peart (drums, percussion, lyricist). Formed in Toronto in 1968, the band went through several configurations until arriving at its longest and classic lineup when Peart replaced original drummer John Rutsey in July 1974, two weeks before the group's first tour of the United States.
The best bass synth of the year is undoubtedly the Moog Sub Phatty. Year after year, Moog is the one company we can turn to when looking strictly at bass as a fundamental element of a synth keyboard. Obviously, one of the most important factors we look at when breaking down an instrument is whether or not the sounds are rich.