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Third Ear Band were a British musical group formed in London during the mid-1960s. Their line-up initially consisted of violin, cello, oboe and percussion. Most of their performances were instrumental and partly improvised. Their records for the Harvest label, Alchemy and Third Ear Band, achieved some popularity, after which they found some ...
Third Ear Band's bizarre variety of raga-influenced ambient medieval folk is taken a few steps further on their self-titled album, consisting of four long suites themed around the classical elements. If their debut, Alchemy, was a rough draft of this musical vision, this is their magnum opus - with better production, richer compositions, more ...
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Jan 11, 2019 · The band’s manager and producer Andrew King explains more below – and you can track down the Uncut featuring my four-page Third Ear Band review, and New Order on the cover, until January 18th ...
- Tom Pinnock
British experimental rock and folk cross-culture band. The Third Ear Band were rooted in 1960's London underground scene, and stem from two bands: 1. the duo Giant Sun Trolley: Glen Sweeney (percussion) and Dave Tomlin (guitar, violin, voice), and 2. a parallel band called Hydrogen Jukebox: Glen Sweeney (percussion), Barry Edgar Pilcher (sax), Dick Dadem (trombone) and Clive Kingsley (guitar).
Jul 29, 2021 · The music on the debut Third Ear Band album, Alchemy, is perhaps best described by the contemporaneous Melody Maker review: “Strange, hypnotic, Indian influenced sounds played on Tabla, violin and cello. John Peels guests on jaw’s harp, and ‘Alchemy’ is the right word. The three-eared men are a Godsend for lovers of mysticism ...
Explore Third Ear Band's discography including top tracks, albums, and reviews. Learn all about Third Ear Band on AllMusic.
Abelard and Heloise. (1970) Music from Macbeth. (1972) Prophecies. (1972) Music from Macbeth is a 1972 album by the Third Ear Band. It consists of the soundtrack from Roman Polanski 's 1971 film Macbeth, an adaptation of Shakespeare 's The Tragedy of Macbeth .
