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    • Sub genres of historical fiction

      iapwe.org/the-subgenres-of-historical-fiction/
      • The Subgenres of Historical Fiction. The traditional form is what is generally thought of as historical fiction. It typically has a historically accurate plot. Seminal examples among modern writers include Colleen McCullough ’s “ Masters of Rome ” series, and Sharon Kay Penman’s books set in the Middle Ages of Great Britain and France.
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    What are the sub genres of fiction?

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  2. The Subgenres of Historical Fiction – International ...

    iapwe.org › the-subgenres-of-historical-fiction

    Feb 27, 2017 · The traditional form is what is generally thought of as historical fiction. It typically has a historically accurate plot. Seminal examples among modern writers include Colleen McCullough’s “Masters of Rome” series, and Sharon Kay Penman’s books set in the Middle Ages of Great Britain and France. Multi-Period Epics, Series, and Sagas

  3. Fiction Subgenres – Historical Fiction

    www.castlegatepress.com › subgenres-historical-fiction

    Apr 23, 2014 · A predominant feature of any historical novel is that it takes place at some point in history. Since it is the setting that determines whether a novel is historical rather than the topic, almost all other genres can be a sub-genre of Historicals as well.

  4. 10 Amazing Sub-Genre’s in Historical Fiction – Rosepoint ...

    rosepointpublishing.com › 2017/03/15 › 10-amazing

    Mar 15, 2017 · The list is endless really, because every genre can be a sub-genre of historical fiction. Crime, thriller, psychological thriller, murder, zombies, ghosts and supernatural and so on. That is the beauty of it is that it can be anything set in any time period.

  5. Historical Fiction and Its Subgenres | DIY MFA Blog | Pamela ...

    diymfa.com › reading › historical-fiction-and-subgenres
    • The Essentials
    • What About Other Types of Stories Set in The Past?
    • The “Passage of Time” Factor

    One of my early posts for DIY MFAdiscussed six key elements of historical fiction and how authors tune those elements in creating their stories. There are plenty of online resources that touch on the definition of the genre and its important elements (or “rules”). Experts may differ on some of the details. For example, one generally accepted definition says that the events depicted must have occurred at least fifty years ago while another expert argues that the story must be set before 1950. Characters can be real or imagined or both. But everyone agrees that the setting, the characters, the events, and the culture must be period-appropriate for the era of the narrative. And the novelist must immediately transport the reader into that world of the past through strong world-building and appropriate dialogue.

    Many genres have stories that are set in what would be considered a “historical” period. A detective story set in the Great Depression. A thriller set against the backdrop of the 1960s space race. Mystery or suspense set in the Roaring Twenties. Women’s Fiction set in the mid-20th century. In these cases, the historical setting is not the primary focus of the story. But it’s always a treat for me when the authors of such novels take pains to ensure historical accuracy (including avoiding anachronisms) and give their readers a real flavor of the time in which their story takes place.

    What may have been a contemporary setting for Conan Doyle is, from the 21st-century reader’s perspective, a historical world. And perhaps there’s a lesson we can all take from that. Perhaps it’s a very useful exercise for historical writers – whether of pure historical fiction or one of the adjacencies – to observe how real those once-contemporary settings feel and to strive to achieve that same degree of realism in our own historical worlds. Pamela Taylor’s inspiration for her first book turned out to be that final straw that pushed her to leave the corporate world behind for the world of words and imagination. Now an author and an editor, she loves helping others polish their stories almost as much as she enjoys writing her own. She’s a member of the DFW Writers Workshop and the Editorial Freelancers Association and is in her fourth year on the judges panel for the Ink & Insights Contest. You can learn more about her books at secondsonchronicles.com, and about her editing services...

  6. Historical Fiction and its Sub-genres (Part I) » Beatrix Conti

    beatrixconti.com › historical-fiction-at-its-sub-genres

    Aug 03, 2016 · The most popular themes I have seen within historical romance are Regency romances, Scottish romances, Antebellum/post-Civil War romances, time travel romances, and mail-order-bride romances. Less popular are Victorian romances, 20th-century romances, western romances, medieval romances, and ancient romances.

  7. I Heart Historical Fiction: Subgenres

    ihearthistoricalfiction.blogspot.com › p › subgenres

    While many might assume that works of Christian historical fiction are set during biblical times, numerous novels of this genre are set in America perhaps during the Great Depression or during WWII. Authors who are popular in this subgenre include Lynn Austin, Jane Kirkpatrick, and Catherine Marshall.

  8. History to Imagine: Sub-genres in Historical Fiction ...

    www.historymuse.us › history-to-imagine-sub-genres

    History is about what happened. Historical fiction asks, "What might have happened? What could have happened? What if. . ." With a question like those, is it any wonder there are so many exciting sub-genres in historical fiction? Part 5 of Enjoying Historical Fiction.

  9. 7 Elements of Historical Fiction – All about historical fiction

    awriterofhistory.com › 2015/03/24 › 7-elements-of

    Mar 24, 2015 · All writers of fiction have to consider seven critical elements: character, dialogue, setting, theme, plot, conflict, and world building. While every story succeeds or disappoints on the basis of these elements, historical fiction has the added challenge of bringing the past to life.

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