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Jun 7, 2021 · Classical Era Music Guide: What Was the Classical Era in Music? Written by MasterClass. Last updated: Jun 7, 2021 • 3 min read. Musicologists and casual music fans use the general term "classical music" to describe the work of composers ranging from J.S. Bach to Igor Stravinsky to Philip Glass.
Jun 7, 2021 · Written by MasterClass. Last updated: Jun 7, 2021 • 4 min read. The term “classical music" describes orchestral music, chamber music, choral music, and solo performance pieces, yet within this broad genre, several distinct periods exist. Each classical era has its own characteristics that distinguish it from classical music at large.
Dates of classical music eras. Music historians divide the Western classical music repertory into various eras based on what style was most popular as taste changed. These eras and styles include Medieval, Renaissance, Baroque, Classical, Romantic, Modernist, and Postmodernist.
Oct 7, 2021 · 1. Medieval (1150 – 1400) Religion is the most significant musical influence because the church was the main public forum for music-making. Medieval music was mostly monophonic chant or Gregorian chant, which Gregorian monks sang. Aside from singing, many medieval musicians played instruments such as flutes, lutes, and string instruments.
May 10, 2021 · A beginner’s guide to Classical era music. 10 May 2021, 17:20 | Updated: 10 May 2021, 17:54. Classical era music – an 18th-century string quartet. Picture: Getty. As the Classical period took over in the mid-1700s and the Baroque era was winding down, a few defining characteristics emerged.
Dec 26, 2023 · The Classical period came after the Baroque era, with the Galant style briefly linking the two periods. It preceded the Romantic era, making it the fourth of the six major periods of Western classical music. Here are the others along with their dates: The Medieval era (500-1400AD) The Renaissance era (1400-1600AD) The Baroque era (1600-1750AD)
The Classical era in music is compositionally defined by the balanced eclecticism of the late 18th- and early 19th-century Viennese “school” of Haydn, Mozart, Beethoven, and Schubert, who completely absorbed and individually fused or transformed the vast array of 18th-century textures and formal types.
