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  2. As with the Pastoral Symphony, the only Piano Sonata where Beethoven tells us what his music represents (though not as literally as with the Symphony) is Les Adieux. It has become known by its French name, since the publishers subtitled it in French, but the original (rather more cumbersome) German title was Das Lebewohl, Abwesenheit und ...

  3. Ludwig van Beethoven wrote 32 mature piano sonatas between 1795 and 1822. (He also wrote 3 juvenile sonatas at the age of 13 [1] and one unfinished sonata, WoO. 51.) Although originally not intended to be a meaningful whole, as a set they comprise one of the most important collections of works in the history of music. [2]

  4. Mar 6, 2024 · Beethoven Piano Sonatas, compositions by Ludwig van Beethoven. Although he was far from the first great composer to write multi-movement compositions for solo piano, he was, nonetheless, the first to show how much power and variety of expression could be drawn forth from this single instrument.

    • Betsy Schwarm
  5. Formal Titles: Sonata quasi una Fantasia, Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2. Nickname: the "Moonlight" Sonata. Composer: Ludwig Van Beethoven (1770-1827) Date composed: 1800-1801; published in 1802, dedicated to his pupil Countess Giulietta Guicciardi. Original instrumentation: solo piano

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  6. Pathétique Sonata, sonata for piano and orchestra by Ludwig van Beethoven, published in 1799. Unlike most of the nicknames given to Beethoven’s works, Pathétique is believed to have been picked by the composer himself to convey the romantic and even sorrowful mood of the sonata.

    • Betsy Schwarm
  7. Ludwig van Beethoven 's Piano Sonata No. 8 in C minor, Op. 13, commonly known as Sonata Pathétique, was written in 1798 when the composer was 27 years old, and was published in 1799. It has remained one of his most celebrated compositions. [1] . Beethoven dedicated the work to his friend Prince Karl von Lichnowsky. [2] .

  8. Beethoven's Piano Sonata No. 21 in C major, Op. 53, known as the Waldstein, is one of the three most notable sonatas of his middle period (the other two being the Appassionata, Op. 57, and Les Adieux, Op. 81a).

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