Lang was featured in the award-winning German-Austrian documentary Pianomania, which was directed by Lilian Franck and Robert Cibis. The film premiered theatrically in North America, Asia and throughout Europe, and is a part of the Goethe-Institut catalogue.
Lang directed what ultimately became his last film, "The 1000 Eyes of Dr. Mabuse" (1960), a return to familiar ground that sparked renewed interest in the character and spawned a number of sequels, though the director had no involvement in any of the subsequent films. Meanwhile, Lang made a rare onscreen appearance as himself in Jean-Luc Godard ...
In 1920, Lang met his future wife, the writer Thea von Harbou.She and Lang co-wrote all of his movies from 1921 through 1933, including Dr. Mabuse, der Spieler ("Dr. Mabuse the Gambler"; 1922), which ran for over four hours in two parts in the original version and was the first in the Dr. Mabuse trilogy, the five-hour Die Nibelungen (1924), the famous 1927 film Metropolis, and the science ...
Lang’s very last film (made in Germany) is a spy thriller that combines elements of film noir, horror, and science fiction. Stars Dawn Addams, Peter van Eyck, and Gert Fröbe ( Goldfinger ) as police commissioner Kras, trying to uncover the sinister secret of the mysterious Hotel Luxor.
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- Dr. Mabuse, the Gambler (1922) While it’s impossible to select a single film of Lang’s as representative of such a varied career, the three films that make up his Mabuse trilogy remain landmarks of certain phases.
- Die Nibelungen (1924) Given its more accessible genre framework (and high-profile restoration a few years back), it’s little surprise that Metropolis (1927) would be the silent picture of Lang’s subject to canonical entombment.
- M (1931) Lang’s first talkie, and his crowning achievement, marks the apotheosis of a visual language he’d developed over the course of his silent career.
- Fury (1936) Lang brings M’s kangaroo court stateside for his first American picture, delving further into the mob-ruled grotesqueries of human nature and its thirst for ‘justice’, with the story of an innocent, circumstantially accused man seemingly burned alive by angry townsfolk furious at the slow progress of the judicial system.
Knowing your film crew roles is just as important. Cinematography, like any other industry, has its own language and it is important for directors to know how to speak it. Clear communication in directing film talent and film crew pros can make the difference between a good film and one that is spectacular. Sidebar: A Rose by Any Other Name...
Oct 29, 2018 · French can claim to be the international language of acclaimed cinema: 27 of the highest-rated films were in French, followed by 12 in Mandarin, and 11 each in Italian and Japanese.
- The Godfather. Director: Francis Ford Coppola. Cast: Marlon Brando, Al Pacino, James Caan, Robert Duvall, Diane Keaton, Talia Shire. Domestic lifetime gross (adjusted for inflation, 2014): $626,025,500.
- The Wizard of Oz. Director: Victor Fleming. Cast: Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Jack Haley. Domestic lifetime gross (adjusted for inflation, 2014): $32,950,500.
- Citizen Kane. Director: Orson Welles. Cast: Orson Welles, Joseph Cotten, Dorothy Comingore, Agnes Moorehead, Ruth Warrick. Domestic lifetime gross (adjusted for inflation, 2014): $2,998,000.
- The Shawshank Redemption. Director: Frank Darabont. Cast: Tim Robbins, Morgan Freeman. Domestic lifetime gross (adjusted for inflation, 2014): $53,014,600. Famous quote: "Remember Red, hope is a good thing, maybe the best of things, and no good thing ever dies."
The Best of RT tool finds the top reviewed films of all time in any genre, sorted by the Rotten Tomatoes Tomatometer
The horror of the faces: That is the overwhelming image that remains from a recent viewing of the restored version of “M,” Fritz Lang's famous 1931 film about a child murderer in Germany. In my memory it was a film that centered on the killer, the creepy little Franz Becker, played by Peter Lorre.