Search results
1951 Hollywood
- Hail, Caesar! is set in 1951 Hollywood, when studios turned out movies on an assembly line that sometimes, often accidentally, produced art.
www.rollingstone.com › tv-movies › tv-movie-reviews
People also ask
Where to watch Hail Caesar?
When was Hail Caesar filmed?
What is Hail Caesar about?
Is 'Hail Caesar' a comedy?
Set in 1951, Hail, Caesar! takes place at a transitional time for the film industry. The studio system was breaking down, and a Supreme Court ruling had forced studios to divest their movie theaters. Television, then still in its early years, threatened to pull away audiences.
- $63.6 million
- Carter Burwell
- $22 million
Set in an unspecified period in 20 th-century Hollywood some time between the end of World War II and … well, certainly before 1960, although the movie is meticulously determined in certain ways to be as ahistorical as possible, “Hail Caesar!” depicts 28 or so hours in the life of one Eddie Mannix, played here with a beautiful combination ...
Synopsis. Set in Hollywood of the 1950s, the film starts with Eddie Mannix (Josh Brolin) going to confession at a local church. The priest is already used to hearing from Eddie too often. Eddie confesses that he has been hiding his smoking habit from his wife.
Feb 5, 2016 · Hail, Caesar!: Directed by Ethan Coen, Joel Coen. With Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes. A Hollywood fixer in the 1950s works to keep the studio's stars in line.
- Planktonrules
- 34 sec
- Ethan Coen, Joel Coen
Feb 5, 2016 · Packed with period detail and perfectly cast, Hail, Caesar! finds the Coen brothers delivering an agreeably lightweight love letter to post-war Hollywood. In the early 1950s, Eddie Mannix is busy ...
- (2.5K)
- Joel Coen, Ethan Coen
- PG-13
- Comedy
Feb 6, 2016 · Hail Caesar is the slapstick comedy about economic philosophy you need right now. The film is full of big stars behaving ridiculously. George Clooney plays just the latest in a long line of pitch ...
Feb 4, 2016 · “Hail, Caesar!” is one of those diversions that they turn out in between masterworks and duds. It’s a typically sly, off-center comedy, once again set against the machinery of the motion ...
