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  3. Sgt. Pepper's Lonely Hearts Club Band is the eighth studio album by the English rock band the Beatles. Released on 26 May 1967, Sgt. Pepper is regarded by musicologists as an early concept album that advanced the roles of sound composition, extended form, psychedelic imagery, record sleeves, and the producer in popular music.

    • 6 December 1966 – 21 April 1967
    • EMI and Regent Sound, London
    • 26 May 1967
    • Overview
    • Background
    • Composition and design
    • Reception and legacy

    Sgt. Pepper’s Lonely Hearts Club Band, studio album recorded by British rock band the Beatles, released in 1967. The album proved revolutionary for its psychedelic tone, experimental studio effects, and musical contribution to the countercultural zeitgeist of the late 1960s.

    The success of the Beatles’ heavily drug-inspired album Revolver (1966) paved the way for their expedition into the bizarre with Sgt. Pepper’s Lonely Hearts Club Band, which is often considered one of rock’s first successful concept albums. Paul McCartney, one of the chief songwriters in the Beatles, devised the idea of the band members assuming alter egos for the album, aiming to alleviate the pressure the band faced from rampant “Beatlemania.” The idea of the Beatles impersonating a different band provided the foundation for the album.

    A number of factors converged to enable the musical experimentation that culminated in Sgt. Pepper’s Lonely Hearts Club Band. Having already retired from touring, the Beatles sidestepped their onetime constraint of composing songs that would be possible to perform live. This freedom enabled them to explore effects difficult to replicate in performance. The Beatles’ creative compositions were augmented by inventive technical decisions. Together, sound engineer Geoff Emerick and Beatles producer George Martin pioneered recording techniques that intensified the sounds of the Beatles’ instruments.

    Within the track list on Sgt. Pepper’s Lonely Hearts Club Band, only a few songs explicitly reference the alter ego concept. In the opening track, McCartney introduces the Beatles as “Sgt. Pepper’s Lonely Hearts Club Band” and refers to the band’s fictional leader, a character called Billy Shears. Shears was said to voice the second track, “With a Little Help from My Friends,” amiably sung by drummer Ringo Starr.

    Other tracks on the album traverse a wide range of content and musical styles. The album features masterful examples of the John Lennon–McCartney songwriting partnership, such as the upbeat song “Getting Better,” which couples optimistic sentiments sung by McCartney with cutting interjections by Lennon. The album also illustrates lead guitarist George Harrison’s affinity for spiritual and Indian-inspired music. His dreamy piece “Within You, Without You,” which was inspired by a trip he had taken to India to study the country’s music and culture, includes accompaniment from several Indian session musicians.

    The album culminates in the epic piece “A Day in the Life,” which ultimately came to be revered as one of the greatest songs in the Beatles’ discography. The track combines Lennon’s breathtaking, wistful vocals with discordant orchestral music and, for the middle eight (eight bars in the middle of a conventionally structured song), splices in a jaunty tune composed by McCartney. Though reviewers at the time considered it a masterpiece, the song was banned from the BBC radio airwaves for including the drug-related line “I’d love to turn you on.”

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    The visual design behind Sgt. Pepper’s Lonely Hearts Club Band played a significant role in the album’s success. The album’s front cover features the Beatles before a crowd rife with famous figures, among them Swiss psychologist Carl Jung and American actress Marilyn Monroe. For the photograph, the Beatles donned colorful British army–inspired costumes and posed amid cutouts arranged by the cover’s designers.

    Sgt. Pepper’s Lonely Hearts Club Band was a success following its release, despite early reviews that expressed uncertainty and criticism. Within weeks, the album reached the top spot on both the U.K. and the U.S. album charts, where it remained for 27 and 15 weeks, respectively. Many songs on the album became anthems of the Summer of Love—a period in 1967 during which the hippie movement earned its greatest attention. The album’s cover and music resonated with a bohemian audience.

    The album further heralded the mainstream ascendance of psychedelic rock. The Rolling Stones, for example, ventured into psychedelia with Their Satanic Majesties Request, which was released later in 1967 and bore similarities in musical style and album presentation. Other contemporaneous albums, such as S.F. Sorrow (1968) by the Pretty Things and In the Court of the Crimson King (1969) by King Crimson, paid homage to Sgt. Pepper’s Lonely Hearts Club Band.

  4. Nov 13, 2009 · 1967. The Beatles release “Sgt. Pepper’s Lonely Hearts Club Band” Bob Dylan’s instant reaction to the recently completed album Paul McCartney brought by his London hotel room for a quick listen...

  5. Song by The Beatles from the album Sgt. Pepper's Lonely Hearts Club Band; Released: 1 June 1967: Recorded: 1 February 1967 1 April 1967 (Reprise) Genre: Hard rock, psychedelic rock: Length: 2:02 1:18 (Reprise) Label: Parlophone, Capitol, EMI: Writer: Lennon-McCartney: Producer: George Martin: Sgt. Pepper's Lonely Hearts Club Band track listing

    • THE TITLE CAME FROM AIRPLANE SALT AND PEPPER PACKETS. By the time The Beatles took a three-month vacation in the latter part of 1966, they were all tired of being The Beatles.
    • THE BAND WAS UNDER A LOT OF PRESSURE. Because of the perceived fading popularity of the group, Beatles manager Brian Epstein and their label EMI put pressure on Martin and the band to release a "can't-miss" hit single.
    • IT WAS INFLUENCED BY THE BEACH BOYS' PET SOUNDS, AND FRANK ZAPPA. George Martin was quoted as saying that if Brian Wilson and The Beach Boys had not created and recorded their classic album Pet Sounds, "Sgt.
    • DOGS MIGHT GO NUTS IF YOU PLAY THEM "A DAY IN THE LIFE" ALL THE WAY THROUGH. A 15-kilohertz high-frequency tone/whistling noise can be heard—if you have the remastered CD version and not the vinyl repressing anyway—after the iconic final piano chord finishes resonating and before the backwards talking that closes the album.
  6. Jun 1, 2017 · June 1, 2017. Read the stories behind every song on the Beatles' 'Sgt. Pepper's Lonely Hearts Club Band.' The Beatles ‘ Sgt. Pepper’s Lonely Hearts Club Band, which Rolling Stone named the...

  7. Mar 14, 2008 · 1, 3, 21 April 1967. Producer: George Martin. Engineers: Geoff Emerick, Adrian Ibbetson, Malcolm Addey, Ken Townsend, Peter Vince. Released: 1 June 1967 (UK), 2 June 1967 (US) Personnel. John Lennon: vocals, electric guitar, acoustic guitar, piano, Hammond organ, cowbell. Paul McCartney: vocals, electric guitar, bass, piano, Lowery organ.

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