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  1. New Orleans Creole Songs. During a fantastic 3 months NOLA residency with the Villa Albertine, a new residency program by the french government and the french consulate in New Orleans, Sélène had the chance to be emerged in the scene right away. Her residency entitled “Eritaj (Heritage): New Orleans, Caribbean and African American Music ...

  2. On this unique album, Adelaide van Wey sings Creole songs in the distinctive patois of New Orleans and performs street cries from the eastern United States. Zither accompaniment adds an enigmatic touch to each rhyme.

    • Traditional – “St. James Infirmary Blues” Traced back to its origins in England in the 18th Century, “St. James Infirmary Blues” was inspired by centuries-old folk song “The Unfortunate Rake,” about a soldier who dies of venereal disease.
    • Professor Longhair – “Go To The Mardi Gras” Henry Roeland Byrd, better known as Professor Longhair, is one of New Orleans’ most revered musicians, his boisterous R&B hybrid – melding elements of Caribbean and ragtime – influencing the likes of fellow Orleanians Allen Toussaint and Dr. John.
    • Dr. John – “Sweet Home New Orleans” Sometimes known as “The Night Tripper,” Dr. John has become an emblem of the diverse musical gumbo that’s been simmering in New Orleans over the past century.
    • Steve Earle – “This City” The closing track on Steve Earle’s 2011 album I’ll Never Get Out Of This World Alive was written and recorded for the HBO series Treme, which is set in a post-Katrina New Orleans.
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  5. Dec 6, 2009 · Louisiana Music Hall Of Fame Inductees, (Louisiana) Le Roux performing "New ORleans Ladies" on Midnight Special (with digitally restored audio track) from Th...

    • Dec 6, 2009
    • 597.9K
    • LAMusicHallOfFame
  6. Jan 28, 2024 · 7. “Goin’ Back to New Orleans” by Dr. John. Another entry from Dr. John, “Sweet Home New Orleans is an unabashed celebration of the Big Easy. It came out in 1992 on the album of the same name. The jaunty, upbeat song is rich in detail, with its style evoking the eclectic genres that make up the city’s musical culture.

  7. An exacting definition of Creole is not in order for its definitive origins and nature are highly debated. The musical style developed in New Orleans and in areas of the immediate and adjacent South. Lyrically the texts are from the French patois (patter) with which the French used to communicate with slaves.

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