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  1. Claude Henri Jean Chabrol ( French: [klod ʃabʁɔl]; 24 June 1930 – 12 September 2010) was a French film director and a member of the French New Wave ( nouvelle vague) group of filmmakers who first came to prominence at the end of the 1950s. Like his colleagues and contemporaries Jean-Luc Godard, François Truffaut, Éric Rohmer and Jacques ...

    • Claude Henri Jean Chabrol, 24 June 1930, Paris, France
    • Film director
    • 12 September 2010 (aged 80), Paris, France
    • 1956–2010
  2. Claude Chabrol (born June 24, 1930, Paris, France—died September 12, 2010, Paris) was a French motion-picture director, scenarist, and producer who was France’s master of the mystery thriller. Claude Chabrol, 1968. After attending the School of Political Science at the University of Paris, he was a critic and public relations man for ...

    • The Editors of Encyclopaedia Britannica
  3. Claude Chabrol was born on 24 June 1930 in Paris, France. He was a director and writer, known for Le Beau Serge (1958), La Cérémonie (1995) and Story of Women (1988). He was married to Aurore Chabrol, Stéphane Audran and Agnès Goute.

    • January 1, 1
    • Paris, France
    • January 1, 1
    • Paris, France
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  5. 16. Web of Passion (1959) Not Rated | 110 min | Crime, Drama. A wealthy wine grower has trouble with his wife, his children, his best friend, and his mistress across the way, who is murdered. Director: Claude Chabrol | Stars: Madeleine Robinson, Antonella Lualdi, Jean-Paul Belmondo, Jacques Dacqmine.

    • Les Bonnes Femmes (1960) Despite playing a central role in the nouvelle vague, Chabrol did not make a truly great film until the movement was drawing to a close.
    • Le Boucher (1970) In the run of films Chabrol made between 1968 and 1978 – often referred to as his golden era – the director repurposed the thriller to explore the baser instincts bubbling beneath the manicured surface of the bourgeoisie.
    • La Rupture (1970) The two darkest films of Chabrol’s golden era both deal with parental responses to attacks on children. Que la bête meure (1969), in which a father seeks to murder the hit-and-run driver who killed his son, pursues its quarry with clear-eyed moral purpose, but La Rupture, following a woman who leaves her husband after he attacks their son, has a bleaker edge that places it in the same tonal register as Roman Polanski’s great psychological horror pictures.
    • Alice ou la Dernière Fugue (1977) From ropey spy films to Orson Welles vehicles, Chabrol’s career is full of outliers, but the best, and indeed the most revealing, is his loose Alice in Wonderland adaptation Alice ou la Dernière Fugue.
  6. During this period, Chabrol continued working for French television, his last work being episodes in the anthology series Au siècle de Maupassant. On 12th September 2010, Claude Chabrol died, aged 80. His legacy is an impressive body of work that has justly earned him the reputation of one of France's finest and best-known filmmakers.

  7. Sep 13, 2010 · Sept. 12, 2010. Claude Chabrol, the director and critic who helped give rise to the French New Wave and who went on to make a series of stylish, suspense-filled films like “Le Boucher” (“The ...

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