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      • Father Moser was a good teacher, and later Schiller named the cleric in his first play Die Räuber (The Robbers) after him.
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  2. en.wikipedia.org › wiki › The_RobbersThe Robbers - Wikipedia

    The Robbers (Die Räuber, German pronunciation: [diː ˈʁɔʏbɐ] ⓘ) is the first dramatic play by German playwright Friedrich Schiller. The play was published in 1781 and premiered on 13 January 1782 in Mannheim, Germany, and was inspired by Leisewitz's earlier play Julius of Taranto.

  3. The Robbers, drama in five acts by Friedrich Schiller, published in 1781 and produced in 1782 as Die Räuber. Set in 16th-century Germany, The Robbers concerns the rivalry between the brothers Karl and Franz, both of whom operate outside conventional morality.

    • The Editors of Encyclopaedia Britannica
  4. Jan 13, 2020 · On January 13, 1782, Friedrich Schiller’s play ‘ The Robbers ‘ (Die Räuber) was premiered at the national theatre in Mannheim. The work, which was initially conceived not as a stage play but as a reading drama was written during the Enlightenment and can be attributed to the Sturm und Drang movement in German literature.

  5. www.poetsandprinces.com › schillers-die-rauberSchiller’s Die Räuber

    Mar 31, 2008 · Schiller furnished proof of Germany’s high cultural achievement. Schiller’s first drama was “Die Räuber” (1781; translated as The Robbers, 1792). Little is known about the genesis of the play other than that he had begun work on it when still a teenager.

  6. Oct 25, 2006 · On his deathbed he will in vain stretch out his withered hands for his Charles, and recoil with a shudder when he feels the ice-cold hand of his Francis. Oh, it is sweet, deliciously sweet, to be cursed by such a father!

  7. Plot Summary. Published in 1781, The Robbers was the first play written by Friedrich Schiller. The drama follows the story of two aristocratic brothers, Karl and Franz Moor, as the younger Franz plots to take his older sibling's inheritance. The play was immediately successful and greatly influenced the subsequent development of European melodrama.

  8. Such analysis reveals important differences not only between these two versions but, above all, among previous interpretations of the Schauspiel. Furthermore, Schiller's intentions for Die Räuber have been misunderstood, as they were even at the time of the premiere performance.