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Originally, Lynch wanted to shoot Lost Highway in black and white, but the idea was discarded due to the financial risks it could cause. Nevertheless, the film was shot in varying levels of darkness and features few daylight scenes. [6]
Oct 24, 2022 · To be fair to "Lost Highway," the tailgating scene is genuinely funny. Why did Fred transform? One could interpret the transformation as a fantastical re-claim of pathetic masculinity.
- Witney Seibold
Jul 22, 2021 · Lost Highway can be read as a discombobulated film noir, study of mental illness, or frightening ghost story. Indeed, Lynch loads the film with the boldest second act plot twist in recent memory, demanding that viewers construct their own personal reading of the film.
Feb 19, 2022 · David Lynch’s Lost Highway, which came out in February of 1997- 25 years ago this week- wasn’t that huge a hit, wasn’t especially loved by critics, and hasn’t ever undergone much of a critical reappraisal (Siskel and Ebert gave it Two Thumbs Down- and Lynch put that on the poster.)
Aug 28, 2022 · Eraserhead was an obvious influence for Pi, the microbudget black-and-white debut of one Darren Aronofsky.
Jun 23, 2022 · Our closing shots are of a shrieking Fred behind the wheel of his car, speeding down the highway in the pitch-black night, police cars in pursuit, as his mind comes apart at the seams.
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During the 1940s and 1950s, the heyday of film noir, black-and-white film stocks were used that were much slower and rendered shadows much more effectively that color stocks. Lynch originally hoped to shoot LOST HIGHWAY in black-and-white, but the financial realities of releasing a monochrome picture to a color-spoiled audience kept that from ...
