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Apr 5, 2024 · Piano Concerto No. 2 in C Minor, Op. 18, composition for piano and orchestra by Sergei Rachmaninoff.It premiered on November 9, 1901, and contains themes that, throughout the 20th century, would be reborn as the melodies of several popular songs, including Frank Sinatra’s 1945 “Full Moon and Empty Arms” and Eric Carmen’s 1975 “All by Myself”; Carmen, trained as a classical pianist ...
- Betsy Schwarm
- Overview
- Early life
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- Later years
- Legacy
Sergey Rachmaninoff (born March 20 [April 1, New Style], 1873, Oneg, near Semyonovo, Russia—died March 28, 1943, Beverly Hills, California, U.S.) composer who was the last great figure of the tradition of Russian Romanticism and a leading piano virtuoso of his time. He is especially known for his piano concerti and the piece for piano and orchestra...
Rachmaninoff was born on an estate belonging to his grandparents, situated near Lake Ilmen in the Novgorod district. His father was a retired army officer and his mother the daughter of a general. The boy was destined to become an army officer until his father lost the entire family fortune through risky financial ventures and then deserted the family. Young Sergey’s cousin Aleksandr Siloti, a well-known concert pianist and conductor, sensed the boy’s abilities and suggested sending him to the noted teacher and pianist Nikolay Zverev in Moscow for his piano studies. It is to Zverev’s strict disciplinarian treatment of the boy that musical history owes one of the great piano virtuosos of the 20th century. For his general education and theoretical subjects in music, Sergey became a pupil at the Moscow Conservatory.
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Composers & Their Music
At age 19 he graduated from the conservatory, winning a gold medal for his one-act opera Aleko (after Aleksandr Pushkin’s poem Tsygany [“The Gypsies”]). His fame and popularity, both as composer and concert pianist, were launched by two compositions: the Prelude in C-sharp Minor, played for the first time in public on September 26, 1892, and his Piano Concerto No. 2 in C Minor, which had its first performance in Moscow on October 27, 1901. The former piece, although it first brought Rachmaninoff to public attention, was to haunt him throughout his life—the prelude was constantly requested by his concert audiences. The concerto, his first major success, revived his hopes after a trying period of inactivity.
At the time of the Russian Revolution of 1905, Rachmaninoff was a conductor at the Bolshoi Theatre. Although more of an observer than a person politically involved in the revolution, he went with his family, in November 1906, to live in Dresden. There he wrote three of his major scores: the Symphony No. 2 in E Minor (1907), the symphonic poem The Isle of the Dead (1909), and the Piano Concerto No. 3 in D Minor (1909). The last was composed especially for his first concert tour of the United States, highlighting his much-acclaimed pianistic debut on November 28, 1909, with the New York Symphony under Walter Damrosch. Piano Concerto No. 3 requires great virtuosity from the pianist; its last movement is a bravura section as dazzling as any ever composed. In Philadelphia and Chicago he appeared with equal success in the role of conductor, interpreting his own symphonic compositions. Of these, the Symphony No. 2 is the most significant: it is a work of deep emotion and haunting thematic material. While touring, he was invited to become permanent conductor of the Boston Symphony, but he declined the offer and returned to Russia in February 1910.
The one notable composition of Rachmaninoff’s second period of residence in Moscow was his choral symphony The Bells (1913), based on Konstantin Balmont’s Russian translation of the poem by Edgar Allan Poe. This work displays considerable ingenuity in the coupling of choral and orchestral resources to produce striking imitative and textural effects.
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After the Russian Revolution of 1917, Rachmaninoff went into his second self-imposed exile, dividing his time between residences in Switzerland and the United States. Although for the next 25 years he spent most of his time in an English-speaking country, he never mastered its language or thoroughly acclimatized himself. With his family and a small...
Rachmaninoff’s music, although written mostly in the 20th century, remains firmly entrenched in the 19th-century musical idiom. He was, in effect, the final expression of the tradition embodied by Tchaikovsky—a melodist of Romantic dimensions still writing in an era of explosive change and experimentation.
Sergey Rachmaninoff. Piano Concerto No. 3 in D Minor, Op. 30, composition by Sergei Rachmaninoff. The work premiered on November 28, 1909, in New York City with the composer as soloist. It was the first of many American triumphs for Rachmaninoff, who would ultimately make his home in the United States. In 1909, a few years after his stalled ...
- Betsy Schwarm
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Sergei Vasilievich Rachmaninoff was born on April 1, 1873 (March 20 according to the calendar in use at the time), in Oneg, near Semyonovo, Russia. His musical talent manifested itself early, and he was sent to Moscow to study piano with Nikolai Zverev. He graduated from the Moscow Conservatory at the age of 19.
Meanwhile, the Russian pianist-composer Sergei Rachmaninoff was the Romantic successor of Chopin and Liszt. He was renowned for such piano concertos as Prelude in C Sharp Minor. Music in the 20th Century. By the turn of the 20th century musical works were becoming more widely known through technological advances.
Aug 12, 2020
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Rhapsody on a Theme of Paganini, Op. 43, composition for solo piano and orchestra by Sergey Rachmaninoff, premiered in 1934 in Baltimore, Maryland, with Rachmaninoff playing the solo part. The piece is a set of variations on Niccolò Paganini ’s Caprice No. 24 for solo violin. Sergey Rachmaninoff. In 1934, having already completed four piano ...
