Chamber pop (sometimes called ork-pop, short for "orchestral pop") is a style of rock music characterized by an emphasis on melody and texture, the intricate use of strings, horns, piano, and vocal harmonies, and other components drawn from the orchestral and lounge pop of the 1960s.
Subcategories. This category has the following 3 subcategories, out of 3 total. Chamber pop albums (11 C, 10 P)
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El chamber pop (a veces llamado ork-pop,   , abreviatura para "pop orquestal")   es un estilo de la música rock  que se caracteriza por un énfasis en la melodía y la textura, el uso complicado de instrumentos de cuerda, cuernos, piano y armonías vocales, y otros elementos tomados del pop orquestal y el easy listening de la década de 1960.
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Baroque pop's mainstream popularity faded by the 1970s, partially because punk rock, disco and hard rock took over; nonetheless, music was still produced within the genre's tradition. Philadelphia soul in the 1970s and chamber pop in the 1990s both incorporated the spirit of baroque pop  while the latter contested much of the time's low ...
"Chamber" is an older term for bedroom. The chamber pot is also known as a Jordan, a jerry, a guzunder, a po (possibly from French: pot de chambre), a potty pot, a potty, a thunder pot or a thunder mug. It was also known as a chamber utensil or bedroom ware. History
Pop barroco (ou rock barroco)  é um gênero de fusão que combina rock com elementos típicos da música clássica.  Surgiu em meados da década de 1960, uma vez que os artistas possuiam um som majestoso e orquestral, e é identificável pela apropriação de estilos de composição barroca (melodias contrapuntais e padrões de harmonia funcional) e gestos dramáticos ou melancólicos.
This is a list of artists who have been described as general purveyors of baroque pop, a genre identifiable for its appropriation of Baroque compositional styles (contrapuntal melodies and functional harmony patterns) and dramatic or melancholic gestures.
Pop/Rock » Alternative/Indie Rock » Chamber Pop Drawing heavily from the lush, orchestrated work of performers including Brian Wilson, Burt Bacharach, and Lee Hazlewood, Chamber Pop arose largely as a reaction to the lo-fi aesthetic dominant throughout much of the 1990s alternative music community.