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Linus Sandgren FSF, ASC (born 5 December 1972) is a Swedish cinematographer, known for his collaborations with directors Damien Chazelle, David O. Russell, Gus Van Sant, and the duo of Måns Mårlind and Björn Stein.
- 2000–present
- Cinematographer
- 5 December 1972 (age 50), Spånga, Sweden
Linus Sandgren. Cinematographer: Saltburn. Linus Sandgren is an Academy Award winning Swedish cinematographer. He is best known for his work with Damien Chazelle on La La Land (2016) and his collaboration with David O Russell on the films American Hustle (2013) and Joy (2015).
- December 5, 1972
Aug 5, 2022 · Related Topics: Cinematography, Linus Sandgren, The Queue Based in the Pacific North West, Meg enjoys long scrambles on cliff faces and cozying up with a good piece of 1960s eurotrash.
Feb 27, 2022 · Linus Sandgren Cinematography Style & Techniques Explained. Over the years, Linus Sandgren has made a name for himself as one of the world’s preeminent masters of cinematography. We’re going to explore Sandgren’s exemplary work with the goal of better understanding how his different cinematographic techniques better the visual feel of ...
Feb 1, 2017 · Oscar nominated cinematographer Linus Sandgren breaks down how he and director Damien Chazelle created long camera movements designed to play an active musical role. When looking for a ...
- Chris O'falt
Oct 7, 2021 · The first and perhaps most consequential contribution from Sandgren was the decision to shoot on film. He fought for the format along with Fukunaga, as Bond gatekeepers Barbara Broccoli and Michael G. Wilson told Variety last year, eventually shooting in both 35mm and 65mm, including the gold-standard IMAX film (a first for the franchise), which Sandgren previously used to great effect in ...
Dec 6, 2023 · Saltburn (2023) Though Sandgren is probably best known for dazzling widescreen vistas like those in La La Land and Babylon, in Saltburn he takes a different approach, shooting in a confined, boxy Academy ratio. ‘Emerald wanted it to feel voyeuristic, and that it would be beautiful if we could sort of look into a doll’s house, peeking in on ...
