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Alabama Sacred Harp Singers; Tope Alabi; Mary Alessi; Charles McCallon Alexander; The Rance Allen Group; Anointed; The Anointed Pace Sisters; Inez Andrews; Vanessa Bell Armstrong; B. Annastasia Baker; Philip Bailey; Bonny B. The Barrett Sisters; Helen Baylor; Elder Charles D. Beck; TY Bello; The Blackwood Brothers; The Blind Boys of Alabama; Irene Bridger
Sandy Patty, Whitney Houston, David Phelps, Keith Green are some of the astounding performers who have enriched the world with the purity and benevolence of gospel singing. It is about expressing your beliefs and sharing your story with the world in a musical way that brings joy to everyone.
In the 1990s and early 2000s, a look at the top gospel charts reveals one or two pop or R&B artists who “got saved” and “went gospel” as somewhat of a sacrifice for their religious beliefs.
- Explanatory Articles
- Early Gospel Blues Style Artists
- Recommended Book
- Recommended CD Compilations
Gospel blues is a blues-based form of gospel music (a combination of blues guitar and evangelistic lyrics). Notable gospel blues performers include Thomas A. Dorsey (the “founder” of gospel blues), Blind Willie Johnson, Sister Rosetta Tharpe and Reverend Gary Davis. Blues musicians such as Blind Lemon Jefferson, Charley Patton, Sam Collins, Josh White, Blind Boy Fuller, Blind Willie McTell, Bukka White, Sleepy John Estes and Skip James have recorded a fair number of Gospel and religious songs, these were often commercially released under a pseudonym. Additionally, by the late 1950s and 1960s some musicians had become devote, or even practicing clergymen, this was the case for musicians such as Reverend Robert Wilkins and Ishman Bracey. __________________________________________________________________
“Among those whose ears perked up in August 1926 when OKeh released the first two 78s by “the Blind Race Evangelist” (Arizona Dranes) was Thomas A. Dorsey, who would go on to be called “the Father of Gospel”. In a 1961 interview, Dorsey gave Dranes some credit with opening his mind to laying secular styles under religious themes. Although he was a Baptist, Dorsey liked to step inside the heat of sanctified services for inspiration, as did his protégé Mahalia Jackson. “If I can put some of what she does and mix it with the blues,” Dorsey said, recalling his first exposure to Dranes, “I’ll be able to come up with a gospel style.” Dorsey’s genius was that his songwriting and arrangements were so sophisticated that churchgoers didn’t initially realize his music was based in blues, “the devil’s music”.” – Extract from ‘He Is My Story: The Sanctified Soul of Arizona Dranes’, by Michael Corcoran, Tompkins Square (2012). And so the Gospel Blues style was born … See also Recommended Book ‘Th...
Pearly Brown Reverend (or Blind) Pearly Brown (August 18, 1915 – June 28, 1986) was an American singer and guitarist, known primarily as a street performer. He also played harmonica and accordion. His repertoire included gospel blues, blues, country, and what he called “slave songs” (i.e. spirituals); but always from a religious standpoint. Example Song: Keep Your Lamp Trimmed and Burning Edward W. Clayborn Reverend Edward W. Clayborn was an American musician, known as the “Guitar Evangelist”. He sang a form of blues gospel similar to Blind Willie Johnson. Clayborn recorded forty songs, for Vocalion Records between 1926 and 1930. In The Ganymede Takeover, the San Franciscan author Philip K. Dick, a record enthusiast, has a character state that “True Religion”, sung by Clayborn was one of the first jazz recordings. Example Song: True Religion Reverend Gary Davis Reverend Gary Davis, also Blind Gary Davis (born Gary D. Davis, April 30, 1896 – May 5, 1972), was a blues and gospel singe...
‘The Rise of Gospel Blues: The music of Thomas Andrew Dorsey in the Urban Church’ by Michael W. Harris Published by Oxford University Press (1992) ISBN: 0-19-509057-8 Critique by Tony Thomas: This book belongs on every bookshelf of anyone who is seriously concerned with African American folk and popular music, secular and religious. Harris does a good job describing not only the details of Dorsey’s life, but setting him in the musical worlds he inhabited in the early 20th Century. My current research work does not include religious music, and I have been doing a lot of work on ragtime and the origins of the Blues as they related to the five string banjo. This book provided new insights on the nature of the Blues, on the relationship between the vaudeville Blues, Downhome Blues, and jazz in the 1920s that recent reading on Jelly Roll Morton, and the origins of Jazz and the Blues did not. At the same time, the book provides broad and objective coverage of major trends in the Black chu...
There are many Gospel Blues albums available by individual artists, here are two compilation albums: The Rough Guide to Gospel Blues Various Artists Label: World Music Network Best of Gospel Blues Various Artists Label: X5 Music Group __________________________________________________________________
Until the early 20th century, gospel hymns were generally serious in their tone, but by the 1910s and ’20s they had begun to lose some of their austerity. Largely through the work of evangelists such as Billy Sunday , working with musicians such as Charles McCallom Alexander and Homer Rodeheaver, the music acquired a more upbeat character.
Jun 25, 2019 · Gospel . Gospel music began as hymns in the early 17th century. It's characterized by dominant vocals and whole body involvement, like clapping and stomping. This type of music was much different than other church music at the time because it had much more energy.
Some proponents of "standard" hymns generally dislike gospel music of the late 19th and early 20th centuries. Today, with historical distance, there is a greater acceptance of such gospel songs into official denominational hymnals.
Black Gospel Artists Highlights grid list. Mahalia Jackson. Shirley Caesar. The Dixie Hummingbirds. Kirk Franklin. The Mighty Clouds of Joy. The Winans. The Original Five Blind…. The Soul Stirrers.
- Five Blind Boys of Alabama (above) It’s almost unbelievable that a group of blind, African-American singers—who started out touring during a time of whites-only bathrooms, restaurants, and hotels—would go on to win five Grammy awards and a Lifetime Achievement Grammy, as well as be inducted into the Gospel Music Hall of Fame and perform at the White House for three different presidents.
- Fisk Jubilee Singers (above) The original Jubilee Singers introduced so-called slave songs to the world in 1871, and they were instrumental in preserving the unique American musical tradition known today as Negro spirituals.
- Soul Stirrers (above) This group launched the career of legendary soul singer Sam Cooke—but they were much more than that. The Soul Stirrers set the pace for gospel and pop vocal groups and played a role as forefathers in the development of rhythm and blues.
- The Caravans (above) From the late-50s to the mid-60s, the Caravans went unrivaled as the nation’s most popular touring gospel group, earning acclaim as one of the greatest acts ever to arrive on the spiritual music front.