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      • Clothes are powerful in Twelfth Night. They can symbolize changes in gender—Viola puts on male clothes to be taken for a male— as well as class distinctions. When Malvolio fantasizes about becoming a nobleman, he imagines the new clothes that he will have.
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  2. Clothes are powerful in Twelfth Night. They can symbolize changes in gender—Viola puts on male clothes to be taken for a male— as well as class distinctions. When Malvolio fantasizes about becoming a nobleman, he imagines the new clothes that he will have.

  3. The costumes that many characters wear represent different identities that people take on, as much in their everyday lives as when acting in a play. The costumes in the play show that a character or…

  4. Viola, disguised as Cesario, meets O. Sir Toby and Maria are married. Discuss Viola's use of her disguise in Shakespeare's Twelfth Night. After the shipwreck, Viola resolves to make the best of her situation and be taken into Orsino's service. As a young eunuch named Cesario, she will be safe from male attentions.

  5. Feb 6, 2018 · The Fashion Is The Fashion 2: Clothing and Twelfth Night. February 6, 2018 | astronut1. In doing my research for Twelfth Night, I came across a fantastic production from Shakespeare’s Globe in 2002. It used what is known as “original practices,” meaning that the actors tried to replicate everything we know about the way Shakespeare’s ...

  6. Clothes are powerful in Twelfth Night. They can symbolize changes in gender—Viola puts on male clothes to be taken for a male— as well as class distinctions. When Malvolio fantasizes about becoming a nobleman, he imagines the new clothes that he will have.

  7. Symbols and motifs are key to understanding Twelfth Night as a play and identifying Shakespeare's social and political commentary. Death. Although no actual deaths occur in Twelfth Night, death haunts this play throughout. At the beginning, Olivia is mourning a dead brother. Sebastian and Viola have just survived a shipwreck, and each spends ...

  8. Clothing is a major symbol in Twelfth Night, serving as a guide to the wearer's character or—in the case of Viola, Olivia, Malvolio, and the Fool—as a disguise of real character. The play's plot turns on Viola's successful impersonation of a male page, Cesario, when she arrives at Orsino 's court.

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