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- The first movement is based on the initial movement of Honauer's Op. 2, No. 1. The second on one by Johann Gottfried Eckard (op. 1, no. 4), the most famous keyboardist of his day.
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For a long time relatively neglected, Mozart's piano concertos are recognised as among his greatest achievements. They were championed by Donald Francis Tovey in his Essay on the Classical Concerto in 1903, and later by Cuthbert Girdlestone and Arthur Hutchings in 1940 (originally published in French) and 1948, respectively.
First movement, “Allegro,” of Mozart's Piano Concerto No. 24 in C Minor, K. 491; from a 1953 recording featuring pianist Clifford Curzon and the London Symphony Orchestra conducted by Josef Krips." (more) Mozart’s fascination with the piano concerto parallels Europe’s interest in the piano itself.
- Betsy Schwarm
The first movement is based on the initial allegro of the sonata for keyboard with violin accompaniment (Op. 1, No. 5) by Hermann Friedrich Raupach, from a set of six published in Paris in 1756.
- 1767
- K. 37, 39–41
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Jan 18, 2023 · Josef Stalin had a favorite piece of Mozart’s music, the 23rd piano concerto. The V-6-4 chord has an unstable chord that needs to be resolved. In Layla, the first inversion (E bass) in root is followed by a major (F bass) inversion.
Oct 9, 2023 · Title: Piano Concerto No.22, K.482, E-flat major Composer: Wolfgang Amadeus Mozart (1756-1791) Last time performed by the Rhode Island Philharmonic: This is a RI Philharmonic Orchestra premiere. In addition to a solo piano, this piece is scored for flute, two clarinets, two bassoons, two horns, two trumpets, timpani and strings.
The Piano Concerto No. 23 in A major K. 488 is a concerto for piano and orchestra written by Wolfgang Amadeus Mozart. It was finished, according to Mozart's own catalogue, on March 2, 1786, two months prior to the premiere of his opera, Le nozze di Figaro, and some three weeks prior to the completion of his next piano concerto.
In 1782–83 Mozart wrote three piano concertos (K 413–415), which he published in 1785 with string and optional wind parts (so that they were suitable for domestic use) and described as “a happy medium between what is too easy and too difficult.” Six more followed in 1784, three each in 1785 and 1786 and one each in 1788 and 1791.