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Sara Miller Driver (born December 15, 1955) is an American independent filmmaker and actress from Westfield, New Jersey. A participant in the independent film scene that flourished in lower Manhattan from the late 1970s through the 1990s, she gained initial recognition as producer of two early films by Jim Jarmusch , Permanent Vacation (1980 ...
- Filmmaker, actress
- Sara Miller Driver, December 15, 1955 (age 67), Westfield, New Jersey, U.S.
- 1980–present
- Jim Jarmusch
Sara Driver was born on 15 December 1955 in Westfield, New Jersey, USA. She is a director and actress, known for Sleepwalk (1986), The Dead Don't Die (2019) and Stranger Than Paradise (1984).
- January 1, 1
- 2 min
- Westfield, New Jersey, USA
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Who is Sara Miller Driver?
Did Alexis Adler put Sara Driver's drawings in a bank vault?
Sara Driver was born on December 15, 1955 in Westfield, New Jersey, USA. She is a director and actress, known for Sleepwalk (1986), The Dead Don't Die (2019) and Stranger Than Paradise (1984).
- December 15, 1955
Boom for Real: The Late Teenage Years of Jean-Michel Basquiat is a 2017 American documentary film directed by Sara Driver. It tells the story about Jean-Michel Basquiat and the New York City art scene in the late 1970s. [2] . The film had its premiere at the 2017 Toronto International Film Festival on September 8, 2017. [3] .
- $193,520
- Hells Kitten Productions
- English
- Sara Driver
Jun 21, 2019 · June 21, 20197:00 AM ET. 25-Minute Listen. Playlist. Jamie McCarthy/Getty Images. Sara Driver is an artist and filmmaker. She's a part of the Manhattan independent filmmaking renaissance that...
Sara Miller Driver is an American independent filmmaker and actress. A participant in the independent film scene that flourished in lower Manhattan from the late 1970s through the 1990s, she gained initial recognition as producer of two early films by Jim Jarmusch, Permanent Vacation (1980) and Stranger Than Paradise (1984).
Sara Driver’s cinematic universe is a living, breathing place, depicting the places we inhabit as they are—haunted by the past, by centuries of myths, and our own personal histories. As Lucy Sante says in Driver’s “videotape,” The Bowery: Spring, 1994 (1994), “the Bowery lives on as a domain of ghosts.”
