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Where did Greek tragedy come from?
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Where did tragedy come from?
Why is tragoidia a Greek tragedy?
Greek tragedy (Ancient Greek: τραγῳδία, romanized: tragōidía) is one of the three principal theatrical genres from Ancient Greece and Greek inhabited Anatolia, along with comedy and the satyr play.
Greek tragedy. Euripides holding the mask of tragedy, sculpture, c. 480–406 bce. Greek tragedy was not itself intended as an immediate contribution to political debate, though in its exploration of issues, sometimes by means of rapid question-and-answer dialogue, its debt to rhetoric is obvious (this is particularly true of some plays by ...
The very term “Greek tragedy” carries an immense weight of cultural and critical baggage. Even though the cultural prestige of the genre is often the inspiration for us to read, produce, or see these plays, this very prestige interferes with our ability to appreciate them.
- Agamemnon. The story-line of this drama starts at the time when Agamemnon, over-king of prototypical Greeks known as the Achaeans, is returning to his home at Argos.
- Libation-Bearers. Another daughter of Agamemnon and Clytemnestra, Electra, is angry over the killing of her father by her mother. It is unclear whether she is also angry over the killing of her sister, Iphigeneia, by her father, Agamemnon.
- Eumenides. The story told in this drama centers on the transformation of malignant Erinyes or ‘furies’ into benign Eumenides, which means euphemistically ‘those who have a good disposition’.
- Oedipus at Colonus. Oedipus, king of Thebes, had blinded himself in despair over his skewed identity after discovering that he had unwittingly killed his own father, the former king Laios, and had married his own mother, Jocasta, the widow of Laios.
The Oedipus Tyrannus is the most famous Greek tragedy for two reasons. First there is its structure: the action is compressed, one scene follows logically upon the scene that comes before it, and Sophocles' use of dramatic irony, for which he was famous, heightens the tension until we reach the final resolution.
May 30, 1996 · This challenging volume of thirty new essays has an exceptional range - from Aeschylus to Sean O'Casey, from Aristotle to Rene Girard - but also a consistent focus on the ultimate question: how best to define or understand Greek tragedy in particular and tragedy in general.
Tragedy is an oral performance, but one controlled by a written text.6 It is performed in the agonistic and ritual setting that charac- terizes most of early Greek literature. Unlike oral epic, however, tragedy is not recreated afresh on each occasion by the improvisatory art of the aoidos, the oral singer.
