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Shake, Rattle & Roll
1984
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Ishmael Bernal (September 30, 1938 – June 2, 1996) was a Filipino filmmaker, stage and television director, actor and screenwriter. Noted for his melodramas, particularly with feminist and moral issues, he directed many landmark Filipino films such as Nunal sa Tubig (1976), City After Dark (1980), Relasyon (1982), Himala (1982), and Hinugot ...
Ishmael Bernal was born on 30 September 1938 in Manila, Philippines. He was a director and writer, known for At the Top (1971), Dalawang pugad... Isang ibon (1977) and City After Dark (1980). He died on 2 June 1996 in Manila, Philippines.
- Director, Writer, Actor
- September 30, 1938
- Ishmael Bernal
- June 2, 1996
Mar 24, 2020 · Ishmael Bernal was a renowned Filipino actor, screenwriter, TV & stage director, and filmmaker. In 2001, he was declared the National Artist of the Philippines. During his career in the Philippine entertainment industry, he bagged numerous awards and had so much impact.
ISHMAEL BERNAL National Artist for Cinema (2001) (September 30, 1938 – June 2, 1996) Ishmael Bernal was a filmmaker of the first order and one of the very few who can be truly called a maestro. Critics have hailed him as “the genius of Philippine cinema.”
Ishmael Bernal was born on 30 September 1938 in Manila, Philippines. He was a director and writer, known for At the Top (1971), Dalawang pugad... Isang ibon (1977) and City After Dark (1980). He died on 2 June 1996 in Manila, Philippines.
- September 30, 1938
- June 2, 1996
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Jun 2, 1996 · Biography. Ishmael Bernal was a Filipino film, stage and television director, actor and screenwriter. Noted for melodramas with feminist and moral themes, he directed many landmark Filipino films such as Pagdating sa Dulo (1971), Nunal sa Tubig (1976), Manila by Night (1980), Himala (1982), and Working Girls (1984).
Jul 10, 2018 · The works of National Artist and legendary Filipino filmmaker Ishmael Bernal will be celebrated later this month, with a screening of three of his remastered works at Cinema Centenario. Bernal's enduring body of work bears feminist and social realist themes, and is recognized for as part of Filipino cinema's activism during the Marcos era.
