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Daniel Rossen (grandson) Robert Rossen (March 16, 1908 – February 18, 1966) was an American screenwriter, film director, and producer whose film career spanned almost three decades. His 1949 film All the King's Men won Oscars for Best Picture, Best Actor and Best Supporting Actress, while Rossen was nominated for the Academy Award for Best ...
- Robert Rosen, March 16, 1908, New York City, U.S.
- February 18, 1966 (aged 57), New York City, U.S.
- 3
- 1932–1963
4 Photos. Robert Rossen was born on 16 March 1908 in New York City, New York, USA. He was a writer and director, known for The Hustler (1961), All the King's Men (1949) and Alexander the Great (1956). He was married to Sarah (Sue) Siegel. He died on 18 February 1966 in New York City, New York, USA.
- January 1, 1
- New York City, New York, USA
- January 1, 1
- New York City, New York, USA
May 6, 2024 · Robert Rossen was an American writer and director whose career—although highlighted by a number of notable films, especially All the King’s Men (1949) and The Hustler (1961)—was damaged after he was blacklisted for initially refusing to testify (1951) before the House Un-American Activities.
- Michael Barson
Robert Rossen was born on March 16, 1908 in New York City, New York, USA. He was a writer and director, known for The Hustler (1961), All the King's Men (1949) and Alexander the Great (1956). He was married to Sarah (Sue) Siegel. He died on February 18, 1966 in New York City, New York, USA.
- March 16, 1908
- February 18, 1966
Robert Rossen (March 16, 1908 – February 18, 1966) was an American screenwriter, film director, and producer whose film career spanned almost three decades. His 1949 film All the King's Men won Oscars for Best Actor and Best Supporting Actress, while Rossen was nominated for an Oscar as Best Director.
May 31, 2020 · Rossen. Robert Rossen only directed 10 feature films over the course of his career which is rare for a director who worked in the 1940’s, 1950’s and 1960’s. He passed away at the young age of 58 but also was first blacklisted then named names in the HUAC trials.
Consolidating control as few had done before, he took over as writer, director and producer on the winding, documentary-like political exorcism, painfully shading every nuance of ethical compromise for the imagined greater good.
