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Ajanta Caves exemplifies one of the greatest achievements in ancient Buddhist rock-cut architecture. The artistic traditions at Ajanta present an important and rare specimen of art, architecture, painting, and socio-cultural, religious and political history of contemporary society in India.
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Ajanta Caves - Map of the inscribed property Clarification /...
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The first Buddhist cave monuments at Ajanta date from the...
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World Heritage partnerships for conservation. Ensuring that...
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26BUR XII.84-86 - Ajanta Caves / Ellora Caves (India) 2002...
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Ajanta Caves. The first Buddhist cave monuments at Ajanta...
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The Ajanta Caves follow the Cathedral-style architecture found in still older rock-cut cave carvings of ancient India, such as the Lomas Rishi Cave of the Ajivikas near Gaya in Bihar dated to the 3rd century BCE.
- Cave 1
- Cave 2
- Cave 4
- Cave 5
- Cave 6
- Cave 7
- Cave 8
- Cave 9
- Cave 10
- Cave 11
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This is a vihara (monastery), therefore squarish in plan consisting of an open courtyard and verandah with cells on each side, a central hall sided by 14 cells, a vestibule and garbha griha (inner sanctum). Though located at a less than an ideal position of eastern extremity of the ravine its beautifully executed paintings, sculptural and architect...
This vihara consists of a porch with cells on either side, a pillared hall bound by ten cells, an antechamber and garbha griha. Most importantly this cave contains two sub-shrines. Buddha in the main shrine is flanked by two yaksha figures (Sankhanidhi and Padmanidhi) on the left and two others (Hariti & her consort Pancika) on the right. Beautiful...
The largest vihara in Ajanta has its façade richly ornamented with sculpted figure of Bodhisvatta as a reliever of eight great perils among others. As usual, the construction follows the basic pattern of a pillared verandah with adjoining cells leading to a central hall sided by another group of cells, an antechamber and finally garbha griha. An in...
This is an unfinished excavation that proceeded only to carve out a porch and for the most part an incomplete interior hall. By the standards of Ajanta this structure is denuded of any architectural and sculptural motifs save the ornate door frame detailing female figures of makaras.
This two storied structure is referred to as Cave 6 Lower and Cave 6 Upper. Both stories contain an enshrined Buddha. The pillared porch, if there was any, of Cave 6 Lower does not survive today. It is also believed that the upper floor was an afterthought when the excavation of the lower level was well underway. There are some striking examples of...
This vihara consists of two small porticoes supported by octagonal pillars with eight cells, a central hall rather oblong in shape and the garbha griha with Buddha in preaching pose. Sculptures abound, one of the more notable panels depicts a seated Buddha sheltered by Naga Muchalinda(the many-headed snake king).
Perhaps the earliest monastery, belonging to the Satvahana phase of excavation, this cave is located at the lowest level and a major portion from the front of the structure has been swept away by a landslide. Few architectural details survive but, importantly, the sanctum does not contain an image of Buddha.
Excavated in the 1st century BCE, this is one of the oldest chaitya (prayer halls) in Ajanta. The nave is flanked by aisles on either side separated by a row of 23 pillars with the stupa at the far end. The ceiling of the nave is vaulted but that of the aisles is flat. The stupastands on a high cylindrical base at the centre of the apse. Signs of w...
This is the earliest chaitya in the cave complex having been built in 2nd century BCE. The nave is separated from the aisles by 39 octagonal pillars with the stupa being located at the apsidal end. Having been repainted in the later phase the cave contains paintings from two different periods. The scenes depict worship of Bodhi tree and stories fro...
This is a vihara, datable to the early 5th century CE, typically consisting of a pillared verandah with four cells, a hall with six cells and a long bench and the garbha griha which, besides the image of Buddha in preaching attitude, also contains an unfinished stupa.
Learn about the 30 caves at Ajanta, famous for their temple architecture and murals, listed by UNESCO as World Heritage Site. Explore the different types of caves, their features, sculptures and paintings, and their historical and cultural significance.
- Dola RC
Mar 29, 2023 · Explore the history, significance, and beauty of the Ajanta Caves, a UNESCO World Heritage Site and one of the finest examples of ancient Indian rock-cut architecture. See stunning sculptures and frescoes depicting scenes from the life of the Buddha and other Buddhist legends in 29 caves.
Apr 18, 2024 · Ajanta Caves, Buddhist rock-cut cave temples and monasteries, located near Ajanta village, north-central Maharashtra state, western India, that are celebrated for their wall paintings. The temples are hollowed out of granite cliffs on the inner side of a 70-foot (20-metre) ravine in the Wagurna.
- The Editors of Encyclopaedia Britannica
Feb 23, 2015 · The Ajanta Caves, 30 spellbinding Buddhist prayer halls and monasteries carved, as if by sorcery, into a horseshoe-shaped rock face in a mountainous region of India’s Maharashtra state, 450km...
Mar 3, 2022 · The Ajanta caves are a stunning example of Buddhist rock-cut architecture, and are evidence of the importance of Ajanta as an important hub of Buddhist culture in ancient times. They are managed by the Archeological Survey of India and were designated a UNESCO World Heritage Site in 1983.
