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  1. David Hare (March 10, 1917 – December 21, 1992) was an American artist, associated with the Surrealist movement. He is primarily known for his sculpture, though he also worked extensively in photography and painting. [1] The VVV Surrealism Magazine was first published and edited by Hare in 1942.

  2. Dec 21, 1992 · An American artist adopted by the exiled French Surrealists during World War II, David Hare created photographs, sculptures, paintings, and collages that probed the depths of the human psyche and condition. Eventually steel and bronze became his preferred materials as he created hybrid forms that came from dreams and memories and that evoke ...

    • American
    • March 10, 1917
    • New York, NY
    • December 21, 1992
  3. David Hare (March 10, 1917 – December 21, 1992) was an American artist, associated with the Surrealist movement. He is primarily known for his sculpture, though he also worked extensively in photography and painting.

    • American
    • March 10, 1917
    • New York City, New York, United States
    • December 21, 1992
  4. www.moma.org › artists › 2504David Hare | MoMA

    David Hare (March 10, 1917 – December 21, 1992) was an American artist, associated with the Surrealist movement. He is primarily known for his sculpture, though he also worked extensively in photography and painting. The VVV Surrealism Magazine was first published and edited by Hare in 1942.

  5. Peggy Guggenheim, the art dealer whose gallery Art of This Century was a key proponent of both avante-garde and Abstract-Expressionist artists, gave Hare his first solo exhibition in 1944. Guggenheim’s praise was unwavering, describing him as “the best sculptor since Giacometti, Calder, and Moore.”

  6. David Hare (March 10, 1917 – December 21, 1992) was an American artist, associated with the Surrealist movement. He is primarily known for his sculpture, though he also worked extensively in photography and painting. The VVV Surrealism Magazine was first published and edited by Hare in 1942.

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  8. Hare was intrigued by the way line and form could define space. In his welded sculptures he combined abstract shapes with elements inspired by nature to explore the relationships between positive and negative space.

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