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List your movie, TV & celebrity picks. 23 titles. Sort by List order. 1. Day for Night. 1973 1h 56m PG. 8.0 (25K) Rate. A committed film director struggles to complete his movie while coping with a myriad of crises, personal and professional, among the cast and crew.
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- 1 min
- Peter Bradshaw
- Les Quatre Cents Coups (1959) Intended to be an anthology vignette set during the occupation, the shoestring feature that ignited the nouvelle vague is rooted heavily in Truffaut’s own experiences.
- Shoot the Piano Player (1960) Lacing David Goodis’s hardboiled novel Down There with the frantic zaniness of the Marx Brothers and Raymond Queneau, Truffaut’s sophomore outing was a gleeful grab bag of tropes, tones and techniques that came closest to translating his critical theories into cinematic practice.
- Jules et Jim (1962) Accompanied by the exquisite melodies of Georges Delerue, this timeless adaptation of Henri-Pierre Roche’s novel surprisingly suggested the compatibility of the nouvelle vague and the ‘tradition of quality’ that Truffaut had railed against in his 1954 Cahiers essay, ‘A Certain Tendency in French Cinema’.
- La Peau douce (1964) A delay in shooting his sole English-language venture, Fahrenheit 451 (1966), afforded the opportunity to make this adulterous saga, which reveals the influence of Alfred Hitchcock, with whom Truffaut had just conducted a book-length interview.
- The Man Who Loved Women
- Shoot The Piano Player
- Fahrenheit 451
- A Gorgeous Girl Like Me
- The Woman Next Door
- Two English Girls
- The Green Room
- The Soft Skin
- The Bride Wore Black
- Mississippi Mermaid
The film begins with numerous women separately arriving to attend a funeral of a man named Bertrand Morane, whose life is then observed in flashback by Geneviève Bigey. The title derives from the name of the autobiography Bigèy had decided to author, which would have openly discussed his many relationships with women. Charles Denner plays the prota...
Here the list turns personal. Truffaut’s sophomore feature, a noir highlighting the aesthetic and experimental freedom of the French New Wave, is usually considered a major Truffaut work. However, the film banks too much on experimentation, often creating large chunks of monotony. The film, based on a novel by David Goodis, focuses on Charlie Kolle...
Fahrenheit 451 is Truffaut’s only feature film made outside the Francophone world, and the resultant movie makes it clear why he remained rooted in France for the rest of his career as a director. The film is, of course, an adaptation of the watershed novel by Ray Bradbury. Truffaut’s adaptation is moderately loyal to the source material, although ...
Also known as “A Gorgeous Kid Like Me”, this minor Truffaut work is a study on a criminal woman appropriately named Camille Bliss, played by a brilliant and convincing Bernadette Lafont. Stanislas Previne, a sociologist, is striving to complete a thesis on criminal women, and the charming yet dangerous Camille is his subject of study. As Camille ex...
Truffaut’s penultimate film, made in the same year as the incredible “The Last Metro”, is a perfectly acceptable watch, but pales in comparison when compared to the two movies it is sandwiched between. Like “The Man Who Loved Women”, this film is the visualization of description shared by a narration, in this case, Madame Jouve. The tale told is a ...
A scene from “Two English Girls” – an almost inverted version of “Jules and Jim” based on another novel by its creator Henri-Pierre Roché – still lingers in my mind. A very playful game involving Claude Roc, played by Truffaut’s muse Jean-Pierre Léaud, and his English acquaintances lead to a playful kiss through the bars of a chair. Set to a magica...
“The Green Room” marks François Truffaut’s final lead acting performance in films directed by him. Truffaut only took up lead acting opportunities in highly personal films, and here the personal ideas of nihilism and nostalgia lead to a commendable performance despite his typical lack of expression. The film tackles – almost like an Ôbayashi film– ...
“The Soft Skin” is most famous for being the originator of the famous cat scene in “Day for Night”. While the latter film doubtlessly recreated and used the scene extremely well, “The Soft Skin” needs more attention for its controversial, deep narrative. Truffaut explores a love triangle between publisher Pierre Lachenay, his wife Franca, and Nicol...
For the majority of his career as a filmmaker, this enigmatic, thrilling femme fatale film, based on a novel by Cornell Woolrich, was Truffaut’s best attempt at creating a mysterious tale. Julie Kohler, played by Jeanne Moreau, attempts suicide but is stopped by her mother. She then leaves home and starts charming and killing off one man after anot...
“Mississippi Mermaid” is often categorized as a minor Truffaut and remains one of the least-watched films from his oeuvre. Like “The Bride Wore Black”, this film is adapted from a Corne Woolrich novel, and here the entire cast performs to the top of their capabilities. The film tells the story of, well, another bride. Yet again there is a twist in ...
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- Day for Night (1973) Day for Night is a love letter to the art of filmmaking. Directed by François Truffaut, the film follows the production of a movie, from casting to shooting to the final cut.
- Jules and Jim (1962) Jules and Jim is a timeless masterpiece that explores the complex dynamics of love, friendship, and desire. Directed by the legendary filmmaker François Truffaut, the movie tells the story of two young men, Jules and Jim, who fall in love with the same woman, Catherine, and their journey through life.
- The 400 Blows (1959) As an acclaimed author and film enthusiast, I am excited to share my thoughts on Francois Truffaut’s The 400 Blows. This 1959 French New Wave classic follows the story of Antoine Doinel, a troubled adolescent who struggles to navigate his tumultuous life amidst a dysfunctional family and a corrupt school system.
- Mississippi Mermaid (1969) Mississippi Mermaid is a riveting tale of love, betrayal, and mystery that will leave you guessing until the very end. Directed by the legendary filmmaker François Truffaut, this film is a masterpiece of French cinema.
A wealthy plantation owner is captivated by a mysterious woman with a shady past. Director François Truffaut Stars Catherine Deneuve Jean-Paul Belmondo Nelly Borgeaud. Mississippi is a film noir shot in dazzling color, a Hitchcock movie with the soul of a Jean Renoir drama. 11. The Wild Child. 1970 1h 23m G.
Jul 25, 2014 · 12 Essential François Truffaut Films You Need to Watch. Thirty years after his death, Francois Truffaut remains one of the most respected and celebrated innovators of world cinema. A major force of the French New Wave movement, Truffaut was never afraid to take risks in his work, either artistically or politically.
