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  1. Picabia continued his involvement in the Dada movement through 1919 in Zürich and Paris, before breaking away from it after developing an interest in Surrealist art. (See Cannibale , 1921.) He denounced Dada in 1921, [3] and issued a personal attack against Breton in the final issue of 391 , in 1924.

  2. Picabia made works like Tableau Rastadada, a mordant self-portrait, finding in Dada a provocative spirit that matched and extended his own. Picabia continued to cycle through styles and experiment with unorthodox materials.

  3. Francis Picabia lived in the XIX – XX cent., a remarkable figure of French Dada and Surrealism. Find more works of this artist at Wikiart.org – best visual art database.

    • French
    • January 22, 1879
    • Paris, France
    • November 30, 1953
  4. Picabia was central to the Dada movement when it began to emerge in Paris in the early 1920s, and his work quickly abandoned many of the technical concerns that had animated his previous work. He began to use text in his pictures and collages and to create more explicitly scandalous images attacking conventional notions of morality, religion ...

    • French
    • January 22, 1879
    • Paris, France
    • November 30, 1953
  5. Francis Picabia. Dada Movement (Mouvement Dada). 1919. Ink and pencil on paper. 20 1/8 x 14 1/4" (51.1 x 36.2 cm). Purchase. 285.1937. © 2024 Artists Rights Society (ARS), New York / ADAGP, Paris. Drawings and Prints

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  7. Museo Nacional Thyssen-Bornemisza. Francis Picabia. Paris, 1879-1953. Print page. The French artist Francis Picabia was a prominent figure on the early twentiethcentury art scene for his free spirit and great versatility that allowed him to change styles as the mood took him.

  8. From the 1920s until his death in 1953, Picabias art and life went through a number of dramatic shifts—from figurative painting to abstraction and back again, to name but one—appropriate for this most protean member of the avant-garde. For more information, see: Baker, George.

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