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Aug 26, 1994 · It's Pat: The Movie: Directed by Adam Bernstein. With Julia Sweeney, Dave Foley, Charles Rocket, Kathy Griffin. The comedic misadventures of a person of indeterminate gender.
- (11K)
- Comedy
- Adam Bernstein
- 1994-08-26
The movie is about Pat who tries to make a decent living and falls for Chris. Pat goes through so many jobs that it's sad. The job-to-job aspect is dumb and almost every job scene sucks. Pat's new neighbour Kyle (Charles Rocket) soon becomes obsessed with trying to figure out if Pat is a boy or girl.
Mar 13, 2007 Full Review Nell Minow Movie Mom Rated: 1/5 Sep 23, 2004 Full Review Kevin Thomas Los Angeles Times It's Pat offers a simple message of self-acceptance, asserting that what counts is ...
- Adam Bernstein
- Touchstone Pictures
- Julia Sweeney
- Comedy
It's Pat is a 1994 American slapstick comedy film directed by Adam Bernstein and starring Julia Sweeney, Dave Foley, Charles Rocket, and Kathy Griffin. The film was based on the Saturday Night Live ( SNL) character Pat, created by Sweeney, an androgynous misfit whose gender is never revealed. Dave Foley plays Pat's partner Chris, and Charles ...
Aug 26, 1994 · Sweeney, who first invented the character while a member of the L.A.-based Groundlings comedy troupe, has almost perversely turned the relatively harmless TV character into a boorish, egotistical creep for the bigscreen. Fans of the “SNL” sketches will be disappointed. Non-fans won’t bother. Read More.
- (6)
- Adam Bernstein
- PG-13
- Julia Sweeney
Pat Riley, an obnoxious busybody of indeterminable sex, meets and falls in love with Chris, a sensitive, caring person also of indeterminable sex. Their relationship suffers because Pat's a lout, and cannot decide on a direction for their life. Meanwhile, Pat's neighbor Kyle falls further and further into obsession with Pat, fascinated by their ...
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May 21, 2019 · The 1994 cash grab, It’s Pat: The Movie, is seventy-seven minutes of those moments. The short length, merciful as it is, yet stretches the premise beyond the breaking point, suffocating the movie – and the viewer – of anything resembling enjoyment. The discomfort is three-fold. First, the jokes, and the characters who purvey them, are ...
