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A painting titled The Death of Jane McCrea (1804) by John Vanderlyn. Jane McCrea (1752 – July 27, 1777) was an American woman who was killed by a Native American warrior serving alongside a British Army expedition under the command of John Burgoyne during the American Revolutionary War.
John Vanderlyn, 1804. This artwork can be viewed at the following website: Vanderlyn, The Murder of Jane McCrea. Collection: Wadsworth Atheneum, Hartford. Documentation: David Lubin explains the ideological significance of Native Americans at the time Vanderlyn painted The Murder of Jane McCrea :
Oct 24, 2023 · John Vanderlyn’s Jane McCrea: Love, Death, and America. By Paul StaitI. John Vanderlyn, The Murder of Jane McCrea, 1804, Wadsworth Athenaeum, Hartford. (Image: Wikimedia Commons). We are looking at John Vanderlyn’s startling 1804 painting The Murder of Jane McCrea, part of the American collection of the Wadsworth Athenaeum in Hartford.
The Death of Jane Macrae, by John Vanderlyn (1804) She was a casualty of the American Revolution, and so was the truth about her death. This much is true: Jane Macrae was a young Loyalist who went to upstate New York to meet her fiancé, a lieutenant in Lt. Gen. John Burgoyne’s army.
He returned to Paris in 1803, also visiting England in 1805, where he painted the Death of Jane McCrea for Joel Barlow. [3] Vanderlyn then went to Rome, where he painted his picture of Marius amid the Ruins of Carthage, which was shown in Paris, and obtained the Napoleon gold medal there.
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Sep 16, 2022 · The Death of Jane McCrea| John Vanderlyn, 1804. What truly happened to Jane McCrea has been contested. It was claimed that two Native Americans killed her when arguing who would receive the reward. On the contrary it was argued that McCrae was accidentally shot by Revolutionaries and only scalped after she had already been dead. Proponents to ...
Pritchard in, "John Vanderlyn and the Massacre of Jane McCrea," Art Quarterly, XII, 1949, pp. 361-365. The in-fluence of David has been suggested by Alan Burroughs in Limners and Likenesses, Cambridge, Mass., 1936, p. 113, and David's Sabines in particular by Oliver W. Larkin in Art and Life in America, New York, 1949, p. 13I. 7.
