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    • That Dog. – “I’m Gonna See You”
    • PJ Harvey (Featuring Thom Yorke) – “This Mess We’Re In”
    • Yellowcard – “Ocean Avenue”
    • Future Islands – “Walking Through That Door”
    • Liz Phair – “Supernova”
    • The Stranglers – “Golden Brown”
    • Nine Inch Nails – “The Perfect Drug”
    • Pulp – “Something Changed”
    • Buzzcocks – “Ever Fallen in Love (with Someone You Shouldn’T’Ve)”
    • Morphine – “In Spite of Me”

    You take the good, you take the bad. You settle in for the longest haul, one that’s meant to end whenever one partner or the other passes away. Sunny, glossy and droll, “I’m Gonna See You” fairly tingles the spine; there’s an underlying optimism about marriage and domestic life here that’s leavened by level-headedness and firm realism. that dog. se...

    PJ Harvey didn’t need Radiohead‘s enigmatic frontman to sell this bleakly beautiful 2000 duet. But it’s chilling — and slightly dislocating — to hear these worlds collide, resulting in a hall-of-fame-caliber swirl of romantic misery. “I’d long been interested in the idea of somebody else singing a whole song on a record of mine, to have a very diff...

    There’s love, sure, but “Ocean Avenue” is also an anthem of youth, recklessness and pop-punk. Something about the chugging riffs, infectious chorus and cliche lyrics made it an instant classic destined to soundtrack every Emo Nite. The highlight is, of course, the sentiment that’s as predictable as everything else: “If I could find you now things w...

    This is Future Islands in the key of “I Want to Break Free.” Of all the underdog anthems the synth-pop trio churn out, this gem — from 2010’s overlooked In Evening Air — is their most pure. The beauty lies in Gerrit Welmers’ quivering keys, which sound like they landed on Earth from a ’50s sci-fi flick. They spiral higher and faster, as singer Samu...

    Liz Phair is in devotion mode, packing more similes into one rock love song than an entire book of Shakespeare sonnets. “Your eyelashes sparkle like gilded grass,” she sings, “and your lips are sweet and slippery like a cherub’s bare, wet ass.” That’s just the first verse. “Supernova” was Phair’s rollicking first single from Whip-Smart, the follow-...

    The stately, baroque-pop jangle of “Golden Brown” diverged from the English band’s core sound: prototypical pub-punkers stumbling into the electronics section of the local music store. The Stranglers slowly matured into the New Wave outfit of their pinnacle — but, in this case, take a deviant direction. A harpsichord plays the central melody as a l...

    The doomed romance of Trent Reznor’s lyrics can often make love sound like a desperate chemical dependency — or make actual drug addiction sound like an irresistible seduction. “The Perfect Drug,” written for David Lynch’s 1997 film, Lost Highway, muddies the waters even more than usual, particularly with Mark Romanek’s absinthe-themed video. Rezno...

    “Something Changed” is a prayer for those of us whose love language is canceling plans. Over rolling guitars and heavenly synths, Jarvis Cocker sings about the precious, random decisions that we make every day, having no idea of what’s at stake. “I could have stayed at home and gone to bed … you might have changed your mind and seen your friend.” I...

    If the answer to the question posed in the song title is “no,” check your pulse. You’re not alive. Or perhaps you’re extremely lucky. Just wait — as Robert Plant once sang, “Your Time Is Gonna Come.” The gist of the lyrics: “You spurn my natural emotions / You make me feel like dirt and I’m hurt” is as plainspoken as the song itself, written in 197...

    Boston trio Morphine was known for the low, sonorous sounds of Mark Sandman’s two-string slide bass and Dana Colley’s baritone sax. But Sandman would occasionally throw in a spare acoustic track like “In Spite of Me,” the side one closer to their 1993 magnum opus, Cure For Pain, featuring beautifully fluttering mandolin by Jimmy Ryan. “In Spite of ...

    • Everybody Wants to Rule the World. Tears for Fears. 1,162 votes. Tears for Fears' soaring anthem "Everybody Wants to Rule the World" features mesmerizing guitar riffs and vibrant synths, making it an emblematic New Wave hit.
    • Don't You (Forget About Me) Simple Minds. 1,117 votes. Simple Minds' unforgettable anthem "Don't You (Forget About Me)" defines the 80s New Wave sound with its moody synths and Jim Kerr's distinctive vocals.
    • Tainted Love. Soft Cell. 1,086 votes. Soft Cell's pulsating cover of "Tainted Love" boasts infectious synth beats, perfectly complementing Marc Almond's signature vocal style.
    • Don't You Want Me. The Human League. 960 votes. The Human League captured the essence of 80s synthpop with their catchy hit "Don't You Want Me," featuring irresistible electronic hooks and an engaging duet between Philip Oakey and Joanne Catherall.
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  2. Music Videos by VideoCure. Top 50 New Wave Songs Of All Time (as decided on by WFDU listeners): 1. Joy Division - Love Will tear Us Apart. 2. Siouxsie & The Banshees - Christine. 3. The Smiths ...

    • Sweet Dreams (Are Made Of This) — Eurythmics, Annie Lennox, And Dave Stewart. Eurythmics, Annie Lennox, Dave Stewart - Sweet Dreams (Are Made Of This) (Official Video)
    • Don’t Stand So Close To Me — The Police. The Police - Don't Stand So Close To Me (Official Music Video) The Police’s 1980 single Don’t Stand So Close To Me was written with their fanbase in mind.
    • Always Something There To Remind Me — Naked Eyes. Always Something There to Remind Me (2018 Remaster) Always Something To Remind Me was first composed in the 1960s and recorded by multiple artists during the decade.
    • Video Killed The Radio Star — The Buggles. The Buggles - Video Killed The Radio Star (Official Music Video) Video Killed The Radio Star was released in 1979 and was famously the first video to air on MTV when it began in 1981.
    • "Rock Lobster" by The B-52's. "Rock Lobster" clocks in at 183bpm, which is just ridiculously fast. It was a surf record made by weirdos from Georgia. It tears up the dance floor.
    • "People Are People" by Depeche Mode. Just one of many sad songs from a man named Gore. It was their first commercial hit in the U.S. back in the summer of '85 when it peaked at number 13.
    • "Come On Eileen" by Dexy's Midnight Runners. I almost made this number one, but I have trouble giving the title to a one-hit wonder—although it should be noted that they had many ska hits in the U.K.
    • "Once In A Lifetime" by Talking Heads. A surreal foresight into a midlife crisis by the Heads. Their ability to stretch the boundaries of what a pop song could be is their modus operandi.
  3. In the US, the term New Wave was given a different meaning than its original UK origins. The media latched onto the term and it became the loosely-defined "genre" that most Americans recognize as the 2nd British Invasion bands and American bands that relied heavily on keyboards, had big hair and colorful fashion, but still had a DIY, non-conventional persona. Some of the main European bands ...

  4. Dec 22, 2023 · 21. “Down Under” by Men At Work. “ Down Under ” by Men At Work is an amazing new wave song that became a massive hit in the early 1980s. The song was released in 1981 and quickly climbed to the top of the charts in both the United States and the band’s native Australia, making it one of the most beloved new wave songs.

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