Search results
People also ask
Is 'Stranger Than Fiction' a good movie?
Where can I buy Stranger Than Fiction?
Is 'Stranger Than Fiction' rated PG-13?
How much money did Stranger Than Fiction make?
Nov 9, 2006 · Now streaming on: Powered by JustWatch. What a thoughtful film this is, and how thought-stirring. Marc Forster 's "Stranger Than Fiction" comes advertised as a romance, a comedy, a fantasy, and it is a little of all three, but it's really a fable, a "moral tale" like Eric Rohmer tells.
- Monster's Ball
"Monster's Ball" is about a black woman and a white man who...
- Adaptation
Charlie Kaufman's screenplay for "Adaptation." (2002) has it...
- Finding Neverland
"Finding Neverland" is the story of a man who doesn't want...
- Monster's Ball
Nov 10, 2006 · A fun, whimsical tale about an office drone trying to save his life from his narrator, Stranger Than Fiction features a subdued performances from Will Ferrell that contributes mightily to its...
- (177)
- Marc Forster
- PG-13
- Will Ferrell
On Rotten Tomatoes, the film holds a 73% approval rating, based on 177 reviews, with the average rating of 6.87/10. The site's consensus reads: "A fun, whimsical tale about an office drone trying to save his life from his narrator, Stranger Than Fiction features a subdued performance from Will Ferrell that contributes mightily to its quirky, ...
Nov 10, 2006 · Directed by Marc Forster. Comedy, Drama, Fantasy, Romance. PG-13. 1h 53m. By A.O. Scott. Nov. 10, 2006. “Stranger Than Fiction” gives Will Ferrell the kind of opportunity that movie and...
- Marc Forster
Jason Gorber Film Scouts. A literate, literary film with a Hollywood high-concept hitch. Full Review | Original Score: B+ | Jun 21, 2007. Rotten Tomatoes, home of the Tomatometer, is the most...
Review this title. 625 Reviews. Hide Spoilers. Sort by: Filter by Rating: 9/10. Never underestimate the genuine appeal of reality. ElMaruecan82 24 March 2016. Warning: Spoilers. What an imaginative and touching story!
Nov 10, 2006 · With Will Ferrell, William Dick, Guy Massey, Martha Espinoza. I.R.S. auditor Harold Crick suddenly finds his mundane Chicago life to be the subject of narration only he can hear: narration that begins to affect his entire existence, from his work to his love life to his death.