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BeatriceCane ( c.1372 – 1418), mistakenly known in much of the historiography as Beatrice Lascaris di Tenda but actually a member of the Cane family, was an Italian noblewoman who married first the condottiero Facino Cane, Count of Biandrate and a cousin once removed, and then Filippo Maria Visconti, Duke of Milan, who later had her killed.
Beatrice Lascaris di Ventimiglia. Beatrice Cane, detta Beatrice di Tenda ( Tenda, 1372 circa – Binasco, 13 settembre 1418 ), terza duchessa di Milano, erroneamente ritenuta figlia del conte di Tenda Pietro Lascaris e di donna Poligena, era in realtà figlia del condottiero Ruggero Cane, [1] lontano parente di Facino Cane .
This is the story of Beatrice Lascaris di Tenda, the woman who was the widow of the condottiere Facino Cane and later the wife of Duke Filippo Maria Visconti, in 15th century Milan. Filippo has grown tired of his wife Beatrice; she regrets her impetuous marriage to him after her first husband's death, a marriage that has delivered her and her ...
Research genealogy for Beatrice Lascaris di Tenda of Tenda, Alpes-Maritimes, Provence-Alpes-Côte d'Azur, France, as well as other members of the di Tenda family, on Ancestry®.
Jul 12, 2017 · Bianca Maria Visconti was born on 31 March 1425 as the illegitimate daughter of Filippo Maria Visconti, Duke of Milan and Agnese del Maino. Her mother served as lady-in-waiting to Filippo’s wife, Beatrice di Tenda, who was tortured and executed on her husband’s orders before Bianca’s birth. Agnese and Filippo had a second daughter, named Caterina Maria or [read more]
For the opera by Vincenzo Bellini, see Beatrice di Tenda. Beatrice Cane ( c. 1372 – 1418), mistakenly known in much of the historiography as Beatrice Lascaris di Tenda but actually a member of the Cane family, was an Italian noblewoman who married first the condottiero Facino Cane, Count of Biandrate and a cousin once removed, and then ...
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Beatrice di Tenda. in Paris. Bellini’s second to last opera, Beatrice di Tenda, was not a success at its 1833 Venice premiere, though subsequent performances are said to have overcome the opera’s macabre horrors through the brilliant performances of Giuditta Pasta, the bel canto diva-of-the-day, as Beatrice.
