2003
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Blood on the Saddle are an American country-punk band, though often referred to as a cowpunk band, [1] from Los Angeles, California, United States. [2] Greg Davis (vocals, guitar) formed the band in early 1983 with the original line-up of Ron Botelho (upright bass, bass) and Hermann Senac (drums, vocals). Annette Zilinskas (vocals, guitar ...
Blood On The Saddle began as a musical idea in 1981 while Greg Davis was playing guitar in a Hollywood punk rock band called “Dead Hippie.”. He saw “Gun Club” play with “The Cramps” and “X” and was inspired by their violent fusion of the Delta Blues with Punk Rock. He wanted to do the same with Country and Western.
Blood on the Saddle. 675 likes · 31 talking about this. Blood on the Saddle plays bad music for bad people
Blood On The Saddle. Profile: Cowpunk band from Los Angeles, California, USA, formed in 1983. They released three albums before splitting up in 1987, with the band's only constant member Greg Davis forming a new line-up in the 1990s, releasing 3 more albums up to the present. Sites:
Nov 22, 2023 · Blood on the Saddle is a classic Western song recorded by Tex Ritter in 1939. It is a haunting tale of violence, tragedy, and the unforgiving nature of the American frontier. The song is often associated with the cowboy genre and has been covered by numerous artists over the years. In this article, we will delve into the meaning behind the song ...
- Corey Hoffman
Blood on the Saddle are an American country-punk band, though often referred to as a cowpunk band, from Los Angeles, California, United States. Greg Davis formed the band in early 1983 with the original line-up of Ron Botelho and Hermann Senac. Annette Zilinskas joined in the summer of 1983. They released three albums and songs on one compilation before that line-up broke up in 1987. Band ...
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Dec 5, 2023 · By: Blair Ingenthron In a June 2, 1985 article, Los Angeles Times Music Critic Chris Willman described Blood on the Saddle's self-titled, 1984 debut album as "One of the most absorbing vinyl wonders the city has produced in the last few years." Later that year, in the December issue of Spin Magazine, Andrea 'Enthal wrote,
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