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    • Image courtesy of arte.it

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      • The depiction of Jesus in pictorial form dates back to early Christian art and architecture, as aniconism in Christianity was rejected within the ante-Nicene period. It took several centuries to reach a conventional standardized form for his physical appearance, which has subsequently remained largely stable since that time.
      en.wikipedia.org › wiki › Depiction_of_Jesus
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  2. Aug 20, 2021 · Historians and scholars have divided Early Christian art into two distinct periods: Before 313 CE and after 313 CE, as this was the year of the Edict of Malan. Let us now explore the various periods of early Christian artwork and Christian sculptures. Symbolism in Early Christian Art.

  3. Dec 6, 2023 · The beginnings of an identifiable Christian art can be traced to the end of the second century and the beginning of the third century. Considering the Old Testament prohibitions against graven images, it is important to consider why Christian art developed in the first place.

  4. The earliest surviving Christian art comes from the late 2nd to early 4th centuries on the walls of Christian tombs in the catacombs of Rome. From literary evidence, there may well have been panel icons which, like almost all classical painting, have disappeared.

  5. The earliest Christian art appeared in a funerary medium, meaning it was art in the context of burials, be it catacomb paintings in Rome or sarcophagi carvings. Considering this context, it becomes clear why these early images depict Jesus performing healings and miracles.

  6. First, Jesus looks like a child, then an elderly person, then a youth, and finally a figure with three distinct forms emerging from one. This multiform figure reveals that the Savior is simultaneously Father, Mother, and Son (Ap. John 2.4–8). According to these texts, Jesus evidently can and did appear in many forms.

  7. Sep 28, 2019 · Here is a list of the six most ancient depictions of Jesus known to historians: 1. Alexamenos graffito, 1st century. This “graffito,” representing a person looking at a donkey-headed man being crucified, was carved in plaster on a wall in Rome during the 1st century.

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