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The International Style or internationalism [1] is a major architectural style that was developed in the 1920s and 1930s and was closely related to modernism and modernist architecture. It was first defined by Museum of Modern Art curators Henry-Russell Hitchcock and Philip Johnson in 1932, based on works of architecture from the 1920s.
His architecture, with origins in the German Bauhaus and western European International Style, became an accepted mode of building for American cultural and educational institutions, developers, public agencies, and large corporations.
Mar 7, 2023 · Written by Kaley Overstreet. Published on March 07, 2023. Share. When people describe the modernist movement as a whole, they broadly reference the steel and glass skyscrapers which dot many of our...
Apr 14, 2017 · Key Ideas & Accomplishments. The International Style is often thought of as the "architecture of the machine age," which symbolized for many the crystallization of modernism in building design.
Ludwig Mies van der Rohe was a pioneering architect whose works – alongside Le Corbusier’s and Walter Gropius’ – defined a separate strain of modern architecture known as International Style. He was a true modernist pioneer and an iconic figure of 20th-century architecture and design.
Historian Henry-Russell Hitchcock and architect Philip Johnson coined the term International Style to describe this plain, unadorned architecture of rectilinear forms built of steel, reinforced concrete, and glass. The style transformed the skylines of many major cities around the world.
Gropius was also a leading architect of the International Style. [3] Early life and family. Born in Berlin, Walter Gropius was the third child of Walter Adolph Gropius and Manon Auguste Pauline Scharnweber (1855–1933), daughter of the Prussian politician Georg Scharnweber (1816–1894).
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