At Eternity's Gate
2018
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American painter and filmmakerFIRST PLATE PAINTINGS. 1978—1980. FIRST FIGURATIVE PLATE PAINTINGS. 1979—1980. LARGE PLATE PAINTINGS. 1981—1989. Allegorical Plate Paintings. 1981—2016. PORTRAIT PLATE PAINTINGS. 1983—2017. Rose Plate paintings. 2015—2017. Self Portraits of Others Paintings. 2018—2020. Trees of Home (for Peter Beard) Paintings. 2020. Victory Plate Paintings.
Julian Schnabel (born October 26, 1951) is an American painter and filmmaker. In the 1980s, Schnabel received international media attention for his "plate paintings"—large-scale paintings set on broken ceramic plates.
- American
- October 26, 1951
- Brooklyn, New York, United States
Resisting the turn to traditional conventions of painting and sculpture that characterized the 1980s, he began his series of Plate Paintings, representational works with sculptural surfaces produced by layering shards of found pottery with thick applications of pigment.
Wax Paintings. Wood Paintings. Plate Paintings. Velvet Paintings. Paintings on printed materials. Resin Paintings. Tarp Paintings. Spray Paintings. Intervention Paintings. Canvas Paintings. Works on Paper
He first became famous for his "plate paintings," in which shards of pottery and other everyday materials appear as both objects and as the ground for painted imagery. Here, a tree with musical instruments for branches is outlined, like a cave painting, against an uneven background of red paint, broken pots, wood, and even a deer’s antler and ...
The Student of Prague is one of Schnabel's famous "plate paintings" in which he applied heavy layers of pigment over broken plates and horns that were glued to a wood panel. The work is exemplary Schnabel's oeuvre of the 1980s in its massive scale and almost baroque ornamentation.
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Nov 4, 2016 · Photo: Tony Prikryl. Julian Schnabel’s Aspen Art Museum exhibition is the first museum presentation to focus on the renowned American artist’s now culturally iconic plate paintings. Largely unexhibited since the early 1980s, Schnabel’s pieces reveal the artist’s interest in material experimentation, the physicality of surface, and the ...
