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  1. Starring Sandrine Bonnaire, Pialat and Évelyne Ker, the story follows a 15-year-old girl, Suzanne (Bonnaire), as she experiences her sexual awakening and becomes promiscuous, but is unable to feel love. À Nos Amours won the César Award for Best Film in 1984.

  2. May 30, 2017 · 335. 55K views 6 years ago. La jeune actrice de 16 ans est la révélation du film du réalisateur français. Sandrine Bonnaire et Maurice Pialat s'entretiennent avec Christian Defaye, sur le ...

    • 36 min
    • 56K
    • Les archives de la RTS
  3. In a revelatory film debut, the dynamic, fresh-faced Sandrine Bonnaire plays Suzanne, a fifteen-year-old Parisian who embarks on a sexual rampage in an effort to separate herself from her overbearing, beloved father (played with astonishing magnetism by Pialat himself), ineffectual mother, and brutish brother.

    • Suzanne
  4. C'est le film qui révéla Sandrine Bonnaire, ce qui lui valut le César du meilleur espoir féminin en 1984. Elle avait fait jusqu'ici de la figuration dans La Boum (1980) et Les Sous-doués en vacances (1982). Le réalisateur Maurice Pialat, fidèle à sa méthode improvise avec son actrice plusieurs scènes [5].

  5. À nos amours est un film réalisé par Maurice Pialat avec Sandrine Bonnaire, Evelyne Ker. Synopsis : Le premier film de Maurice Pialat s'appelait L'amour existe. Suzanne le cherche mais ne...

    • (839)
    • min | Drame
    • Maurice Pialat
    • 1983-11-16
  6. Jun 5, 2006 · In his 1983 masterpiece, À nos amours, Maurice Pialat confronts this powerful dilemma head-on. The dazzler here is sixteen-year-old Sandrine Bonnaire, in her first film, playing a sultry, dimpled fifteen-year-old whose sexual awakening threatens to blow the lid off her entire family.

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  8. www.academymuseum.org › en › programsÀ Nos Amours

    Sandrine Bonnaire portrays a 15-year-old Parisian girl, Suzanne, who escapes from her volatile homelife and agonizing confusion about love and its complexity. As her coping mechanism, Suzanne falls into a pattern of impulsive promiscuity which makes her unsentimental and cynical to the idea of love in relation to sexuality.

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