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The Théâtre Lyrique was one of four opera companies performing in Paris during the middle of the 19th century (the other three being the Opéra, the Opéra-Comique, and the Théâtre-Italien ). The company was founded in 1847 as the Opéra-National by the French composer Adolphe Adam and renamed Théâtre Lyrique in 1852.
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Théâtre Lyrique. The theatre, which until the fall of Napoleon III in 1870 was officially known as the Théâtre Lyrique Impérial, was designed by the architect Gabriel Davioud for Baron Haussmann between 1860 and 1862 for the opera company more commonly known simply as the Théâtre Lyrique.
Pages in category "Opera world premieres at the Théâtre Lyrique" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes .
Benämningen Théâtre-Lyrique har över tid använts för ett antal scenlokaler i Paris. Den första låg på 72 Boulevard du Temple (idag 10 Place de la République ). Den öppnades 1847 som Théâtre-Historique [ 1 ] men bytte 1852 namn till Théâtre-Lyrique och revs 1863.
Ernest Guiraud. Ernest Guiraud, foto oleh G. Camus, skt. 1890. Makam Ernest Guiraud di Pemakaman Père-Lachaise, Paris (divisi 82) [1] Ernest Guiraud ( bahasa Prancis: [giʁo]; 23 Juni 1837 – 6 Mei 1892) [2] merupakan seorang komponis Prancis dan guru musik yang lahir di New Orleans, Louisiana. Ia terkenal karena menulis resitatif orkestra ...
In 1862 during Haussmann 's modernization of Paris, the Théâtre de la Gaîté of the boulevard du Temple was relocated to the rue Papin across from the Square des Arts et Métiers. [3] [4] The new theatre, built in an Italian style to designs of the architects Jacques-Ignace Hittorff and Alphonse Cusin, opened on 3 September.
The Paris Opera ( French: Opéra de Paris, IPA: [opeʁa də paʁi] ⓘ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the Académie d'Opéra, and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the Académie Royale de Musique, but continued to be known ...
