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May 5, 2020 Full Review Dave Kehr Chicago Reader Alfred Hitchcock's 1955 comedy has long been overshadowed by the masterworks that surround it, but it's a wonderful, fanciful film, the most ...
- (33)
- Alfred Hitchcock
- PG
- Edmund Gwenn
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Alfred Hitchcock's 1955 comedy has long been overshadowed by the masterworks that surround it, but it's a wonderful, fanciful film, the most optimistic movie he ever made -- a fairy tale among ...
- Where The Trouble Begins
- A Distinct Lack of Conspiracy
- 5th Avenue Is For The Little People
- Love, Happy Endings, and Grave-Digging
- Pour The Lemonade
The mischief and whimsy begin with the titles, laid against a simplistic children’s sketch. The music by Bernard Herrmann opens with dark, augural horns before letting in levity, and a back-and-forth ensues between grim suspense and infantile play — the lighter sections of the theme recall the cartoony, tongue-firmly-in-cheek title music of Alfred ...
Miss Gravely encounters him as he’s dragging Harry into the bushes — “What seems to be the trouble, Captain?” she politely inquires. The line is one of Hitchc*ck’s favorites, and the director’s fingerprints can be more readily found on this work than on many of his other, more genre-friendly outings. The Captain is one of his favorite leads, too — ...
Once, Sam muses about bringing his paintings to 5th Avenue to hock. His salesman, Mrs. Wiggs (Mildred Dunnock), says they might sell better there, if there are more people. “Oh, lots of people,” Sam replies. “Hundreds and thousands and billions of people. But what sort of people, Wiggy? What breed? I’ll tell you — they’re little people. Little peop...
So the stage is set for a classic comedic ending — surely everyone will pair off in the end, kiss and be merry. But the trick to their happiness isn’t that they wind up with people who believe their lies, but rather, everyone gets someone who sees them the way they want to be seen. After Sam haggles a litany of gifts out of a millionaire, he wins t...
Perhaps the scene that best captures the subversive sweetness of The Trouble with Harrycomes early, when Sam meets Jennifer for the first time. He wants to confront her about the dead man in the hills slumped up against some bushes, but she’s so beautiful that he forgets what he came to ask her. Instead, he chats with her kid, gives him a pet frog ...
The Trouble with Harry: Directed by Alfred Hitchcock. With Edmund Gwenn, John Forsythe, Mildred Natwick, Mildred Dunnock. Harry's dead and, while no one really minds, everyone feels responsible. After Harry's body is found in the woods, several locals must determine not only how and why he was killed but what to do with the body.
- (41K)
- Comedy, Mystery
- Alfred Hitchcock
- 1955-10-03
In retrospect, I'd say The Trouble With Harry is a great film that was probably a good two decades ahead of its time. The performances are wonderfully outrageous, especially the elders (Gwenn and Natwick) who give perceptive comic turns that actors nowadays just don't seem to have the range to do.
The Trouble with Harry is a 1955 American Technicolor black comedy film directed by Alfred Hitchcock. The screenplay by John Michael Hayes was based on the 1950 novel by Jack Trevor Story. It starred Edmund Gwenn, John Forsythe, Mildred Natwick, Jerry Mathers and Shirley MacLaine in her film debut.
The Harry in question is the husband of local single mother, Jennifer Rogers (Maclaine, in her debut movie role), and the trouble within him is that he is very, very dead. His corpse is discovered lying in some woodland outside a small New England town.
