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  1. Jan 21, 1999 · With Jean-Pierre Leaud, Francoise Lebrun, Bernadette Lafont, Isabelle Weingarten, Jacques Renard, Jean Douchet, and Jean-Noel Picq. By Jonathan Rosenbaum. I have a friend who had a wonderful idea ...

  2. Oct 19, 1973 · In California, Katie is holding a "hot" pot and offers it to Hubbell. He takes a spoonful and notes that it is, indeed, hot. However, moments later, Katie is holding the bottom of the pot with her bare hands.

    • (28K)
    • Drama, Romance
    • Sydney Pollack
    • 1973-10-19
  3. Feb 13, 2023 · Released in October 1973, it nonetheless proved to be one of the top-grossing movies of the year. For the uninitiated, the classic love story sees Brooklyn-raised student radical Katie Morosky (Streisand) fall for handsome star athlete Hubbell Gardiner (Redford), a straight-edge WASP who wants to be a writer.

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  5. Jan 10, 2020 · The Way We Are: Directed by Caner Özyurtlu. With Berrak Tüzünataç, Engin Öztürk, Sebnem Bozoklu, Özge Özpirinçci. A group of old friends get together to be with their beloved aunt/grandmother who took care of them when they were kids for her last days. And things get complicated.

    • (5.9K)
    • Comedy, Drama, Romance
    • Caner Özyurtlu
    • 2020-01-10
  6. It includes Streisand's rendition of "The Way We Were", which at the time of the film's release was a commercial success and her first number-one single in the United States. It entered the Billboard Hot 100 in November 1973 and charted for 23 weeks, eventually selling over a million copies and was number one for three non-consecutive weeks in ...

  7. Opposites attract when, during their college days, Katie Morosky (Barbra Streisand), a politically active Jew, meets Hubbell Gardiner (Robert Redford), a feckless WASP. Years later, in the wake of...

    • (36)
    • Romance
    • PG
  8. She's fine in a scene where Hubbell turns up at her apartment drunk, makes love in less than desultory fashion and conks out. The way she looks at him (calculating the angles--but tenderly, somehow) is pure Streisand. The Redford character perhaps in reaction to the inevitable Streisand performance, is passive and without edges.

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