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Jun 26, 2021 · The turret was not a new fashion in the 1470s. Women in northern Europe had managed to wear this eccentric and yet captivating headdress since the late 1440s, but in this decade it was undergoing modifications, one of which can be seen in the portrait of Maria Portinari.
Jun 24, 2021 · The most important development of the 1450s in women’s fashion was the evolution of the turret into an even taller, pointier conical structure. It reaches its classic form at the end of the decade, covered in black fabric with a fine linen veil draped over it and hanging from the top, as seen in figure 12.
Fashion in 15th-century Europe was characterized by a series of extremes and extravagances, from the voluminous robes called houppelandes with their sweeping floor-length sleeves to the revealing doublets and hose of Renaissance Italy.
The fashion for these loose-fitting outer garments had spread throughout Europe in the second half of the sixteenth century, and had showed considerable variety in length and cut. Cloaks were worn over both shoulders or artfully draped over just one.
Jun 21, 2021 · As in earlier decades during this century, fashion change was most evident in outer garments and accessories. Most men’s houppelandes in the 1430s were the shorter form of the garment, also called the haincelin, that was rarely longer than a few inches below the knee.
The new style, which looked an awful lot like the things women had worn beneath their gowns just the year before, were a nod to the simple gowns of ancient Greece and Rome that people knew from classical sculptures.
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Women also wore the chaperon, a draped hat based on the hood and liripipe, and a variety of related draped and wrapped turbans. The most extravagant headdress of Burgundian fashion is the hennin, a cone or truncated-cone shaped cap with a wire frame covered in fabric and topped by a floating veil.
