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    • Blackletter

      • Blackletter is sometimes referred to as Old English, but it is not to be confused with the Old English language, which predates blackletter by many centuries and was written in the insular script or in Futhorc. Along with Italic type and Roman type, blackletter served as one of the major typefaces in the history of Western typography.
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  2. May 29, 2023 · In the 18th century, type was made of metal that was cast using hand-engraved matrices. With as many as 2000 characters on a single page, a printer needed many thousands of individual sorts (single metal letters) for each typeface, size and style.

  3. Fell capitals were condensed, even-width, with wide flattened serifs; all characteristics of the definitive modern romans of the late 18th century. Fell italic types were distinguished by high contrast matching the Fell romans; wider ovals; a split-branching stroke from the stems of m n r and u ; and long, flat serifs—prefiguring modern.

  4. en.wikipedia.org › wiki › FrakturFraktur - Wikipedia

    Fraktur ( German: [fʁakˈtuːɐ̯] ⓘ) is a calligraphic hand of the Latin alphabet and any of several blackletter typefaces derived from this hand.

  5. en.wikipedia.org › wiki › Long_sLong s - Wikipedia

    The long s ſ , also known as the medial s or initial s, is an archaic form of the lowercase letter s , found mostly in works of the late 8th to early 19th centuries.

  6. Oct 2, 2022 · Nineteenth and Twentieth Century Typography. The nineteenth century brought fewer stylistic innovations. The most notable invention was the rise of typefaces with strengthened serifs. Forerunners were the so-called Eqyptienne fonts, which were used already at the beginning of the nineteenth century.

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  7. Dec 16, 2023 · It was the goldsmith Johannes Gutenberg (ca. 1398–1468) who first had the idea of cutting single letters as steel punches. These were stamped into metal to make moulds, which, in turn, were...

  8. The first use of the word ‘sans-serif’ dates from 1832, when the British type-founder Vincent Figgins included it in his specimen book. Just two years later William Thorowgood released Seven Line Grotesque, which was the first lowercase sans-serif, and the first recorded use of the term ‘grotesque’.

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