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The year 1997 in film involved many significant films, including Titanic, The Full Monty, Gattaca, Donnie Brasco, Good Will Hunting, L.A. Confidential, The Fifth Element, Nil by Mouth, The Spanish Prisoner, and the beginning of the film studio DreamWorks .
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Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
L.A. Confidential. (film) L.A. Confidential is a 1997 American neo-noir crime film directed, produced, and co-written by Curtis Hanson. The screenplay by Hanson and Brian Helgeland is based on James Ellroy 's 1990 novel of the same name, the third book in his L.A. Quartet series. The film tells the story of a group of LAPD officers in 1953, and ...
In the aftermath of World War II, Britain cultivated its own form of film noir with a distinctly English accent. Marked by fatalistic wit, visual lyricism, and a pronounced concern for working-class lives, British crime dramas reflected an era of turbulent change, as generational and class conflict, the growing racial diversity of the postcolonial era, and ambivalence toward the U.S.’s new ...
Nicholas Christopher, Somewhere in the Night (1997) While many critics refer to film noir as a genre itself, others argue that it can be no such thing. Foster Hirsch defines a genre as determined by "conventions of narrative structure, characterization, theme, and visual design." Hirsch, as one who has taken the position that film noir is a genre, argues that these elements are present "in ...