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* Cinematography (Color) - Leon Shamroy * Costume Design (Color) - Irene Sharaff, Vittorio Nino Novarese, Renie * Special Effects - Emil Kosa, Jr. Actor - Rex Harrison Film Editing - Dorothy Spencer Music (Music Score--substantially original) - Alex North
- Best Picture
- Directing
- Actor
- Actress
- Actor in A Supporting Role
- Actress in A Supporting Role
- Writing
- Music
- Film Editing
- Cinematography
Becket – Hal B. Wallis Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb – Stanley Kubrick Mary Poppins – Walt Disney, Bill Walsh My Fair Lady – Jack L. Warner Zorba the Greek– Michael Cacoyannis
Becket – Peter Glenville Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb – Stanley Kubrick Mary Poppins – Robert Stevenson My Fair Lady – George Cukor Zorba the Greek– Michael Cacoyannis
Richard Burton – Becket Rex Harrison – My Fair Lady Peter O’Toole – Becket Anthony Quinn – Zorba the Greek Peter Sellers – Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
Julie Andrews – Mary Poppins Anne Bancroft – The Pumpkin Eater Sophia Loren – Marriage Italian Style Debbie Reynolds – The Unsinkable Molly Brown Kim Stanley – Seance on a Wet Afternoon
John Gielgud – Becket Stanley Holloway – My Fair Lady Edmond O’Brien – Seven Days in May Lee Tracy – The Best Man Peter Ustinov – Topkapi
Gladys Cooper – My Fair Lady Dame Edith Evans – The Chalk Garden Grayson Hall – The Night of the Iguana Lila Kedrova – Zorba the Greek Agnes Moorehead – Hush…Hush, Sweet Charlotte
Becket – Edward Anhalt Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb – Stanley Kubrick, Peter George, Terry Southern Mary Poppins – Bill Walsh, Don DaGradi My Fair Lady – Alan Jay Lerner Zorba the Greek– Michael Cacoyannis
“Chim Chim Cher-ee” – Mary Poppins – Music, Lyrics by Richard M. Sherman, Robert B. Sherman “Dear Heart” – Dear Heart – Music by Henry Mancini; Lyrics by Jay Livingston, Ray Evans “Hush…Hush, Sweet Charlotte” – Hush…Hush, Sweet Charlotte – Music by Frank DeVol; Lyrics by Mack David “My Kind Of Town” – Robin and the 7 Hoods – Music by James Van Heus...
Becket – Anne Coates Father Goose – Ted J. Kent Hush…Hush, Sweet Charlotte – Michael Luciano Mary Poppins – Cotton Warburton My Fair Lady– William Ziegler
The Americanization of Emily – Philip H. Lathrop Fate Is the Hunter – Milton Krasner Hush…Hush, Sweet Charlotte – Joseph Biroc The Night of the Iguana – Gabriel Figueroa Zorba the Greek– Walter Lassally
From 1939 to 1967 with the exception of 1957, there were also separate awards for color and black-and-white cinematography. After Who's Afraid of Virginia Woolf? (1966), the most recent black-and-white films to win since then are Schindler's List (1993), Roma (2018) and Mank (2020).
Mar 28, 2021 · By the 1940s, two full Academy Awards were given out for cinematography each year, divided into black & white and color. This would continue until 1967 when color and black & white films would finally be judged against each other for a single Best Achievement in Cinematography award.
Cinematography (Color) - William C. Mellor, Loyal Griggs Costume Design (Color) - Vittorio Nino Novarese, Marjorie Best Music (Music Score--substantially original) - Alfred Newman
Apr 14, 2020 · The Winner and Nominees for the 1964 Academy Awards - Cinematography (Color) Film award!
People also ask
When did cinematography become a part of the Academy Awards?
What is a color film award?
What is a color Oscar & a black & white Oscar?
What is the Academy Award for Best Cinematography?
In the 9th through 11th ceremonies (1936–38), a special award was given for color cinematography, and from the 12th to the 39th ceremonies (1939–66), except for the 30th ceremony (1957), separate Academy Awards were given for color and black-and-white cinematography.
