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      • According to Aristotle, tragedy came from the efforts of poets to present men as 'nobler,' or 'better' than they are in real life. Comedy, on the other hand, shows a 'lower type' of person, and reveals humans to be worse than they are in average.
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  1. Tragedy imitates the actions of the best people in society, and comedy the worst sorts of people in society’. His Poetics is really an attempt to analyze those features that make some tragedies more successful than others. What makes a great tragedy?

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  3. Aristotle divides tragedy into six different parts, ranking them in order from most important to least important as follows: (1) mythos, or plot, (2) character, (3) thought, (4) diction, (5) melody, and (6) spectacle.

  4. Tragedy was born from dithyrambic poetry, which incorporates both poetry and dance. From there, tragedy evolved into what it is in Aristotle’s time—which he refers to as tragedy’s “natural state.” Comedy imitates inferior people, Aristotle claims, but such characters are not inferior in every way.

  5. Aristotle proposes to approach poetry from a scientific viewpoint, examining the constituent parts of poetry and drawing conclusions from those observations. First, he lists the different kinds of poetry: epic poetry, tragedy, comedy, dithyrambic poetry, and most flute-playing and lyre-playing.

  6. Aristotle differentiates between tragedy and comedy throughout the work by distinguishing between the nature of the human characters that populate either form. Aristotle finds that tragedy deals with serious, important, and virtuous people.

  7. Aristotle identifies tragedy as the most refined version of poetry dealing with lofty matters and comedy as the most refined version of poetry dealing with base matters. He traces a brief and speculative history of tragedy as it evolved from dithyrambic hymns in praise of the god Dionysus.

  8. Aristotle defines poetry very broadly, including epic poetry, tragedy, comedy, dithyrambic poetry, and even some kinds of music. According to Aristotle, tragedy came from the efforts of poets to present men as 'nobler,' or 'better' than they are in real life.

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