Search results
For love. The leaning grasses and two lights above the sea—. A poem should not mean. But be. Archibald MacLeish, “Ars Poetica” from Collected Poems 1917-1982. Copyright © 1985 by The Estate of Archibald MacLeish.
By Archibald MacLeish. A poem should be palpable and mute As a globed fruit, Dumb As old medallions to the thumb, Silent as the sleeve-worn stone Of casement ledges where the moss has grown—. A poem should be wordless As the flight of birds. *.
Ars Poetica. Archibald MacLeish. 1892 –. 1982. A poem should be palpable and mute. As a globed fruit, Dumb. As old medallions to the thumb, Silent as the sleeve-worn stone.
A poet, playwright, lawyer, and statesman, Archibald MacLeish’s roots were firmly planted in both the new and the old worlds. His father, the son of a poor shopkeeper in Glasgow, Scotland, was born in 1837—the year of Victoria’s coronation as Queen of England—and ran away...
The best Ars Poetica study guide on the planet. The fastest way to understand the poem's meaning, themes, form, rhyme scheme, meter, and poetic devices.
‘Ars Poetica’ by Archibald MacLeish describes what the speaker believes to be the elements of a successful poem. The speaker begins by stating that a poem should be like “a globed fruit,” “old medallion” and a ledge on which “moss has grown.”
MacLeish's early work was very traditionally modernist and accepted the contemporary modernist position holding that a poet was isolated from society. His most well-known poem, "Ars Poetica," contains a classic statement of the modernist aesthetic: "A poem should not mean / But be."
Dive deep into Archibald MacLeish's Ars Poetica with extended analysis, commentary, and discussion.
Archibald MacLeish – Ars Poetica - Free download as PDF File (.pdf), Text File (.txt) or read online for free. Archibald MacLeish's poem "Ars Poetica" describes how a poem should be like a fruit that is dumb and mute, like old medallions that are silent and worn, and like the flight of birds that is wordless.
The most central theme to “Ars Poetica” is the goal of a poem, which MacLeish identifies as captivating a reader in the same way a painting or sculpture captures audiences. However, a poem's purpose is not the only theme touched on in the work.
