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  1. Jun 30, 2017 · This collection of one hundred pieces of writing represents years five and six of Henry’s employment at the LA Weekly. The fact that he has not been canned perhaps causes mild astonishment. Why do they keep him on?

    • (41)
    • Paperback
  2. But for those of us who like our Rollins uncut, there’s his Before The Chop books, in which he presents the original versions of his L.A. Weekly columns. Having just released Before The Chop III: LA Weekly Articles 2014-2016 (signed paperbacks, digital), I spoke with him about what he wrote in these columns, how being edited by someone else ...

  3. Before The Chop III is articles #201 to #300 of my work for the LA Weekly. What makes these versions different than the ones you see online or in print...

  4. 4/5: I like Rollins' writing style a lot these days, and I was afraid the column format would constrain him a bit, but my fears were mostly groundless--this read a lot like his books of journal entries, which are my favorites of his. The whole "unedited versions" gimmick might be a little much since there are times when obvious grammatical errors and even outright typos make it into the ...

    • Drew
  5. Get this from a library! Before the chop : LA Weekly articles 2011-2012. [Henry Rollins] -- I have been living in Los Angeles for over thirty years. Since 1981, when I first arrived to now, the LA Weekly has had an ubiquitous presence in the city. Years ago, in the back of the Weekly, there ...

    • Henry Rollins
    • (not yet rated)0 with reviews-Be the first.
    • Los Angeles, CA : 2.13.61, [2013]
  6. Before The Chop II is the second 100 articles of Henry's column for the LA Weekly. The title makes reference to the fact that some of what he sends in has to get chopped for space restrictions. Also, his boss often changes the title.

  7. Jun 30, 2017 · A man gets to a certain point and he thinks that he is owed something. Enough years in the vanity press game and even you might start thinking that it’s real. This collection of one hundred pieces of writing represents years five and six of Henry’s employment at the LA Weekly.

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