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Six of the best Schubert songs - Classical Music
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Schubert - Best of Playlist • Deutsche Grammophon - DG • 2021 13K views • 15 tracks • 49 minutes Impromptus, Lieder, Piano Sonatas, the unfinished Symphony – listen to the greates music from...
- Schubert Symphonies
- Schubert Symphonies Nos 3, 5 & 6
- Schubert Symphonies Nos 8 'Unfinished' & 9 'The Great'
- Schubert String Quintet in C, D956
- Schubert String Quintet. Symphony No 5
- Schubert Piano Quintet, ‘Trout’. String Quartet, 'Death and The Maiden'
- Schubert Piano Quintet, ‘Trout’
- Schubert String Quartets D703, D804, D810, ‘Death and The Maiden’ & D887
- Schubert String Quartets – D804 & D810, ‘Death and The Maiden’
- Schubert String Quartets – No 14, ‘Death and The Maiden’; No 15. String Quintet
Academy of St Martin in the Fields / Sir Neville Marriner (Philips) Marriner's Schubert is light on its feet, full of sprung rhythms and gracefully=turned phrases. The early symphonies are a sheer delight in this cycle with some glorious playing by the Academy of St Martin in the Fields. The later, great works like the Unfinished and the GreatC maj...
Royal Philharmonic Orchestra / Sir Thomas Beecham (Warner Classics) Recorded 1955-59 Beecham was well into his seventies when he made these recordings with the Royal Philharmonic, the orchestra he had founded in 1946. His lightness of touch, his delight in the beauty of the sound he was summoning, the directness of his approach to melody and his ge...
Gewandhausorchester / Herbert Blomstedt (DG) Blomstedt’s Eighth and Ninth, like the Schubert recordings of Heinz Holliger (a mere youngster of 83) and the late Ninth of the octogenarian Boult, infuse a lifetime’s collected wisdom, experience and affection into a rather special recording. Read the Gramophonereview
Hagen Quartet with Heinrich Schiff vc (DG) By following Boccherini in using two cellos instead of two violas for his String Quintet, Schubert increased the potential for greater textural contrast. Moreover, the dichotomy between the tragic perspective and Viennese gaiety in the Quintet, so evident in much of Schubert’s greatest music, generates an ...
Isaac Stern, Alexander Schneider vns Milton Katims va Paul Tortelier vc Prades Festival Orchestra / Pablo Casals vc (Sony Great Performances) Recorded 1952-53 This should have an in-built fail-safe against hasty consumption, in that the interpretative ingredients are so rich, varied and unpredictable that to experience it all at once is to invite m...
Clifford Curzon pf Vienna Octet (Decca) it's Curzon and members of the Vienna Octet who remain my favourites—for their tautly sprung rhythm, their smiling charm and above all, their immediacy. In their own seeming delight in making music together, Curzon and his colleagues convey all the young Schubert's unalloyed happiness on that never-to-be-forg...
Brendel pf Zehetmair vnZimmermann vaDuven vcRiegelbauer db (Philips) “The Schubert of this quintet is not the great Schubert, but the one whom we cannot help but love.” Pertinent sentiments (Alfred Einstein quoted by William Kinderman) although listening to this particular performance of the Trout suggests something of a compromise between ‘lovable...
Quartetto Italiano (Philips Duo) Recorded 1965, 1976-77 The Italians’ playing has freshness, affection, firm control and above all authority to a degree that no relative newcomer can match. It’s notable not only for the highest standards of ensemble, intonation and blend, but also for its imaginative insights; these attributes readily apply to the ...
Takács Quartet (Hyperion) With their Decca Beethoven cycle, the Takács Quartet set a modern-day benchmark. Now, with a new record company and a replacement viola player, things look set for them to do the same for Schubert’s two most popular string quartets. These works were written in 1824, a year of despondency for Schubert, who was ill and clear...
Belcea Quartet with Valentin Erben vc (Warner Classics) Schubert spatters the music, virtually all his music, with filigree sounds, p to ppp, throwing in sudden changes of f to pfrom one note to another. Such details are always obeyed. Nothing is generalised, as can be heard at the last close of the slow movement, where absolute mastery over hushed...
- Piano Quintet In A, D667 – ‘Trout’ Quintet. Schubert is at his most buoyant and delightful in his ‘Trout’ Quintet, one of his best works. By adding a double bass to the piano quartet, he not only underpinned his rhythms with a bounce, but liberated the cello as a lyric tenor: no one before or since has matched his achievement with these forces.
- Symphony No.8 In B minor, D759 – ‘Unfinished’ Symphony. Schubert’s early symphonies are breezy and Classical, barely hinting at the indelible voice of the mature composer.
- Die Schöne Müllerin, D795. The poet Wilhelm Müller’s cycle of poems about a lovelorn apprentice and the fair maid at the mill is, on the surface, a traditional tale of unrequited love.
- String Quartet No.14 In D Minor, D810 – ‘Death And The Maiden’ All Schubert’s quartets are exceptional, from the achingly beautiful Rosamunde to the short, sharp, one-movement Quartettsatz.
The best recordings of Schubert's Symphony No. 9 - Classical ...
Schubert: The Complete Songs. A new music service with official albums, singles, videos, remixes, live performances and more for Android, iOS and desktop. It's all here.
